Musical representations, subjects, and objects the construction of musical thought in Zarlino, Descartes, Rameau, and Weber /
Sábháilte in:
| Príomhchruthaitheoir: | |
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| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Bloomington :
Indiana University Press,
c2004.
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| Sraith: | Musical meaning and interpretation.
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| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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Clár na nÁbhar:
- Zarlino: instituting knowledge in the time of correspondences
- The representation of order: perception and the early modern subject in Descartes's Compendium musicae
- The complicity of the imagination: representation, subject, and system in Rameau
- Gottfried Weber and Mozart's K. 465: the contents and discontents of the listening subject.