Musical representations, subjects, and objects the construction of musical thought in Zarlino, Descartes, Rameau, and Weber /
Wedi'i Gadw mewn:
| Prif Awdur: | |
|---|---|
| Awdur Corfforaethol: | |
| Fformat: | Electronig eLyfr |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Bloomington :
Indiana University Press,
c2004.
|
| Cyfres: | Musical meaning and interpretation.
|
| Pynciau: | |
| Mynediad Ar-lein: | An electronic book accessible through the World Wide Web; click to view |
| Tagiau: |
Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
|
Tabl Cynhwysion:
- Zarlino: instituting knowledge in the time of correspondences
- The representation of order: perception and the early modern subject in Descartes's Compendium musicae
- The complicity of the imagination: representation, subject, and system in Rameau
- Gottfried Weber and Mozart's K. 465: the contents and discontents of the listening subject.