The tragic and the ecstatic the musical revolution of Wagner's Tristan und Isolde /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New York ; Oxford :
Oxford University Press,
c2004.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- The path to Schopenhauer
- Tristan and Schopenhauer
- Tristan and Gottfried von Strassburg I : Minne
- Tristan and Gottfried von Strassburg II : Honor
- The desire music
- The Prelude : a musico-poetic view
- Tragedy and dramatic structure
- The two death motives
- Musico-poetic design in Act 1
- Act 2, Scene 1 : night and Minne
- The Love Scene in Act 2 : transition and periodicity
- Tristan's answer to King Mark : moral and philosophical questions
- Act 3 : musico-poetic design
- Love as fearful torment
- The road to salvation.