Medieval music and the art of memory
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Berkeley :
University of California Press,
c2005.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Prologue : the first great dead white male composer
- The construction of the memorial archive
- Tonaries : a tool for memorizing chant
- Basic theory treatises
- The memorization of organum, discant, and counterpoint treatises
- Compositional process in polyphonic music
- Compositional process and transmission of Notre Dame polyphony
- Visualization and the composition of polyphonic music.