Masculinist impulses Toomer, Hurston, Black writing, and modernity /
I tiakina i:
Kaituhi matua: | |
---|---|
Kaituhi rangatōpū: | |
Hōputu: | Tāhiko īPukapuka |
Reo: | Ingarihi |
I whakaputaina: |
Columbia :
University of Missouri Press,
c2004.
|
Ngā marau: | |
Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction : Modernism and the masculinist impulse
- Toomer's male prison and the spectatorial artist
- Of silent strivings : Cane's mute and dreaming dictie
- Hurston's masculinist critique of the South
- Zora Neale Hurston and the romance of the supernature
- Promised lands : the new Jerusalem's inner city and John Edgar Wideman's Philadelphia story
- Where and when we enter : closing the gap in Morrison's Beloved and Naylor's Mama Day.