Echoes from Dharamsala music in the life of a Tibetan refugee community /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Berkeley :
University of California Press,
c2002.
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Introduction : Theory at home and in the field
- Dharamsala : a resting place to pass through
- "There is a tension in our hearts" : constructing the rich cultural heritage of Tibet
- Taking refuge in (and from) India : film songs, angry mobs, and other exilic pleasures and fears
- The West as surrogate Shangri-La : rock and roll and rangzen as style and ideology
- The nail that sticks up gets hammered down : making modern Tibetan music
- Little jolmo bird in the willow grove : crafting Tibetan song lyrics
- A peek through ragged tent flaps and Heaven's door : concerts that rupture and bond
- Conclusion : Cycles, echoes, and their implications.