Echoes from Dharamsala music in the life of a Tibetan refugee community /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Berkeley :
University of California Press,
c2002.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction : Theory at home and in the field
- Dharamsala : a resting place to pass through
- "There is a tension in our hearts" : constructing the rich cultural heritage of Tibet
- Taking refuge in (and from) India : film songs, angry mobs, and other exilic pleasures and fears
- The West as surrogate Shangri-La : rock and roll and rangzen as style and ideology
- The nail that sticks up gets hammered down : making modern Tibetan music
- Little jolmo bird in the willow grove : crafting Tibetan song lyrics
- A peek through ragged tent flaps and Heaven's door : concerts that rupture and bond
- Conclusion : Cycles, echoes, and their implications.