Trauma and its representations the social life of mimesis in post-revolutionary France /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Baltimore :
Johns Hopkins University Press,
c2001.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Iconoclasm : setting wounds in stone at the Musee des monuments français (1795-1816)
- Transpositionality : the political gets personal in Constant's Cécile
- Plagiarism : Duras, Desbordes-Valmore, and the scandalous potency of the woman author
- Harmony : Lamartine's social pain
- Analogy : slavery to duplicity in Sand's Indiana
- Fetishism.