Search Results - Circus Devils
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Magical realism and Deleuze the indiscernibility of difference in postcolonial literature /
Published 2011Table of Contents: “…Introduction: magical realism: a history of magical realism: typologies and definitions; reality and text: postcolonial or postmodern; realism and the resolution of antinomy -- Gilles Deleuze and magical realism: introduction: the importance of ontology; Deleuze and the univocity of being; Deleuze and redemption; series and systems; series and magical realism; Hallward and the postcolonial problem -- Models of magical realsim: introduction: a model of magical realism: One hundred years of solitude (1967); reading One hundred years of solitude in Deleuzian terms: the state of Macondo; a regime of signs and the apprenticeship of signs; Salman Rushdie's Midnight's children (1981): the state as identity; Angela Carter's Nights at the circus (1984): reterritorialization through relation; Toni Morrison's Beloved (1987): the imperative to reterritorialization -- Magical realism and the signs of art: introduction: the magical signs of art; Yann Martel's Life of Pi (2002): becoming non-human at sea; André Brink's Devil's valley (1998): what is real and what is magic?…”
An electronic book accessible through the World Wide Web; click to view
Electronic eBook -
2
Magical realism and Deleuze the indiscernibility of difference in postcolonial literature /
Published 2011Table of Contents: “…Introduction: magical realism: a history of magical realism: typologies and definitions; reality and text: postcolonial or postmodern; realism and the resolution of antinomy -- Gilles Deleuze and magical realism: introduction: the importance of ontology; Deleuze and the univocity of being; Deleuze and redemption; series and systems; series and magical realism; Hallward and the postcolonial problem -- Models of magical realsim: introduction: a model of magical realism: One hundred years of solitude (1967); reading One hundred years of solitude in Deleuzian terms: the state of Macondo; a regime of signs and the apprenticeship of signs; Salman Rushdie's Midnight's children (1981): the state as identity; Angela Carter's Nights at the circus (1984): reterritorialization through relation; Toni Morrison's Beloved (1987): the imperative to reterritorialization -- Magical realism and the signs of art: introduction: the magical signs of art; Yann Martel's Life of Pi (2002): becoming non-human at sea; André Brink's Devil's valley (1998): what is real and what is magic?…”
An electronic book accessible through the World Wide Web; click to view
Electronic eBook