Search Results - "grand opera"

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    Tonality as drama closure and interruption in four twentieth-century American operas / by Latham, Edward David

    Published 2008
    Table of Contents: “…Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).…”
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook
  6. 6

    Tonality as drama closure and interruption in four twentieth-century American operas / by Latham, Edward David

    Published 2008
    Table of Contents: “…Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).…”
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook
  7. 7

    Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas / by Latham, Edward David

    Published 2008
    Table of Contents: “…Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).…”
    Full text available:
    Electronic eBook
  8. 8

    Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas / by Latham, Edward David

    Published 2008
    Table of Contents: “…Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).…”
    Full text available:
    Electronic eBook
  9. 9

    Thaïs by Fisher, Burton D.

    Published 2006
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook
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    Thaïs by Fisher, Burton D.

    Published 2006
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook