Shakespeare in the world cross-cultural adaptation in Europe and colonial India, 1850-1900 / by Sen, Suddhaseel

Table of Contents: “…Shakespeare's Hamlet: Texts and Performances up to the Nineteenth Century -- Hamlet in France: From Ducis to Dumas and Meurice -- Thomas's Hamlet as Opéra Lyrique -- The Operatic Ophélie -- The Afterlife of Thomas's Hamlet -- 2 Nationalism and Aesthetic Self-Fashioning: Giuseppe Verdi's Otello -- Introduction -- Jealousy and Vengeance in Othello and Otello (i): Racial Discourses -- Jealousy and Vengeance in Othello and Otello (ii): Religious Discourses -- Jealousy and Vengeance in Othello and Otello (iii): The Pressures of Patriarchy…”
Taylor & Francis
OCLC metadata license agreement

Shakespeare in the world cross-cultural adaptation in Europe and colonial India, 1850-1900 / by Sen, Suddhaseel

Table of Contents: “…Shakespeare's Hamlet: Texts and Performances up to the Nineteenth Century -- Hamlet in France: From Ducis to Dumas and Meurice -- Thomas's Hamlet as Opéra Lyrique -- The Operatic Ophélie -- The Afterlife of Thomas's Hamlet -- 2 Nationalism and Aesthetic Self-Fashioning: Giuseppe Verdi's Otello -- Introduction -- Jealousy and Vengeance in Othello and Otello (i): Racial Discourses -- Jealousy and Vengeance in Othello and Otello (ii): Religious Discourses -- Jealousy and Vengeance in Othello and Otello (iii): The Pressures of Patriarchy…”
Taylor & Francis
OCLC metadata license agreement

Blackness in opera

Table of Contents: “…Introduction: representing blackness on the operatic stage -- From Otello to Porgy: blackness, masculinity, and morality in opera / Naomi André -- Hearing the other in The masque of blackness / Sarah Schmalenberger -- Nationalism, racial difference, and "Egyptian" meaning in Verdi's Aida / Christopher R. Gauthier and Jennifer McFarlane-Harris -- Race, "realism," and fate in Frederick Delius's Koanga / Eric Saylor -- Political currents and black culture in Scott Joplin's Treemonisha / Ann Sears -- Clarence Cameron White's Ouanga! …”
An electronic book accessible through the World Wide Web; click to view

Blackness in opera

Table of Contents: “…Introduction: representing blackness on the operatic stage -- From Otello to Porgy: blackness, masculinity, and morality in opera / Naomi André -- Hearing the other in The masque of blackness / Sarah Schmalenberger -- Nationalism, racial difference, and "Egyptian" meaning in Verdi's Aida / Christopher R. Gauthier and Jennifer McFarlane-Harris -- Race, "realism," and fate in Frederick Delius's Koanga / Eric Saylor -- Political currents and black culture in Scott Joplin's Treemonisha / Ann Sears -- Clarence Cameron White's Ouanga! …”
An electronic book accessible through the World Wide Web; click to view

Dies irae : Kroniek van het requiem /

Full text available:

Dies irae : Kroniek van het requiem /

Full text available: