Search Results - "Twelfth Night"

Gender in Play on the Shakespearean Stage : Boy Heroines and Female Pages / by Shapiro, Michael, 1938-

Table of Contents: “…A brief social history of female cross-dressing -- Male cross-dressing in playhouses and plays -- Cross-gender disguise plus cross-gender casting -- Bringing the page onstage: The two gentlemen of Verona -- Doubling of cross-gender disguise: The merchant of Venice -- Layers of disguise: As you like it -- Anxieties of intimacy: Twelfth night -- From center to periphery: Cymbeline.…”
Full text available:

Gender in Play on the Shakespearean Stage : Boy Heroines and Female Pages / by Shapiro, Michael, 1938-

Table of Contents: “…A brief social history of female cross-dressing -- Male cross-dressing in playhouses and plays -- Cross-gender disguise plus cross-gender casting -- Bringing the page onstage: The two gentlemen of Verona -- Doubling of cross-gender disguise: The merchant of Venice -- Layers of disguise: As you like it -- Anxieties of intimacy: Twelfth night -- From center to periphery: Cymbeline.…”
Full text available:

Women and revenge in Shakespeare gender, genre, and ethics / by Tassi, Marguerite A., 1965-

Table of Contents: “…Women and revenge: some literary, iconographic, and intellectual foundations -- Valorous tongues, lamenting voices: the expressive ethics of female inciters in Shakespeare's plays -- Reporting the women's causes aright: wounded names and revenge narratives in Hamlet, Titus Andronicus, and Much ado about nothing -- Hecuba's legacy: wounded maternity and vengeance in the First tetralogy and Titus Andronicus -- "Revenging home": Cordelia and the virtue of vengeance -- Twelfth night, or what Maria wills -- Feminine vindication and the social drama of revenge in The merry wives of Windsor -- The quality of revenge: debt, reciprocity, and Portia's "vantage" in The merchant of Venice -- Women's gall, women's grace: female friendship, moral rebuke, and the vindictive passions.…”
An electronic book accessible through the World Wide Web; click to view

Women and revenge in Shakespeare gender, genre, and ethics / by Tassi, Marguerite A., 1965-

Table of Contents: “…Women and revenge: some literary, iconographic, and intellectual foundations -- Valorous tongues, lamenting voices: the expressive ethics of female inciters in Shakespeare's plays -- Reporting the women's causes aright: wounded names and revenge narratives in Hamlet, Titus Andronicus, and Much ado about nothing -- Hecuba's legacy: wounded maternity and vengeance in the First tetralogy and Titus Andronicus -- "Revenging home": Cordelia and the virtue of vengeance -- Twelfth night, or what Maria wills -- Feminine vindication and the social drama of revenge in The merry wives of Windsor -- The quality of revenge: debt, reciprocity, and Portia's "vantage" in The merchant of Venice -- Women's gall, women's grace: female friendship, moral rebuke, and the vindictive passions.…”
An electronic book accessible through the World Wide Web; click to view

Retrovisions reinventing the past in film and fiction /

Table of Contents: “…Historical make-overs in film and literature / Deborah Cartmell and I.Q Hunter -- "No man's Elizabeth" : the Virgin Queen in recent films / Renée Pigeon -- Shakespeare in love and the end(s) of history / Elizabeth Klett -- Reflections on sex, Shakespeare, and nostalgia in Trevor Nunn's Twelfth night / Maria F. Magro and Mark Douglas -- Black rams tupping white ewes : race vs. gender in the final scene of Six Othellos / Pascale Aebischer -- Cool intentions : the literary classic, the teenpic and the "chick flick" / Sarah Neely -- Peter Watkin's Culloden and the alternative form in historical filmmaking / Nicholas J. …”
An electronic book accessible through the World Wide Web; click to view

Retrovisions reinventing the past in film and fiction /

Table of Contents: “…Historical make-overs in film and literature / Deborah Cartmell and I.Q Hunter -- "No man's Elizabeth" : the Virgin Queen in recent films / Renée Pigeon -- Shakespeare in love and the end(s) of history / Elizabeth Klett -- Reflections on sex, Shakespeare, and nostalgia in Trevor Nunn's Twelfth night / Maria F. Magro and Mark Douglas -- Black rams tupping white ewes : race vs. gender in the final scene of Six Othellos / Pascale Aebischer -- Cool intentions : the literary classic, the teenpic and the "chick flick" / Sarah Neely -- Peter Watkin's Culloden and the alternative form in historical filmmaking / Nicholas J. …”
An electronic book accessible through the World Wide Web; click to view

Who hears in Shakespeare? auditory world, stage and screen /

Table of Contents: “…Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear.…”
An electronic book accessible through the World Wide Web; click to view

Who hears in Shakespeare? auditory world, stage and screen /

Table of Contents: “…Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear.…”
An electronic book accessible through the World Wide Web; click to view

Shakespeare and Canada : Remembrance of Ourselves by Brisset, Annie

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Shakespeare and Canada : Remembrance of Ourselves by Brisset, Annie

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