Ohcanbohtosat - "Porgy and Bess"

Porgy and Bess Dahkki Fisher, Burton D.

Fáttát: “…Gershwin, George, 1898-1937. Porgy and Bess.…”
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The strange career of Porgy and Bess race, culture, and America's most famous opera / Dahkki Noonan, Ellen, 1966-

Sisdoallologahallan: “…A romance of Negro life : Porgy, 1925 -- Interlude : Charleston, 1680-1900 -- A chocolate-covered lithograph strip : Porgy, 1927 -- Interlude : Charleston, 1920 -1940 -- Gershwin's idea of what a Negro opera should be : Porgy and Bess, 1935 -- Neither the measure of America nor that of the Negro : Porgy and Bess, 1952-1956 -- Interlude : Charleston, 1940-1960 -- Forget any version you may have seen before : Porgy and Bess, 1959-2012 -- Epilogue : Charleston, 1970-2005.…”
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Tonality as drama closure and interruption in four twentieth-century American operas / Dahkki Latham, Edward David

Sisdoallologahallan: “…Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).…”
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Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas / Dahkki Latham, Edward David

Sisdoallologahallan: “…Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).…”
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The George Gershwin reader

Sisdoallologahallan: “…Portraits of the artist -- The growing limelight (1919-1924) -- Fame and fortune (1924-1930) -- Maturity (1930-1935) -- Porgy and Bess -- Last years : Hollywood (1936-1937) -- Obituaries and eulogies -- As time passes.…”
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Blackness in opera

Sisdoallologahallan: “…Bryan -- New paradigms in William Grant Still's Blue steel / Gayle Murchison -- Performers in Catfish Row: Porgy and Bess as collaboration / Gwynne Kuhner Brown -- Searching for "authenticity" in Paul Bowles's Denmark Vesey / Melissa J. de Graaf -- The politics of color in Oscar Hammerstein's Carmen Jones / Melinda Boyd -- Performing race in Ernst Krenek's Jonny spielt auf / Jonathan O. …”
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Enchanted evenings the Broadway musical from Show boat to Sondheim and Lloyd Webber / Dahkki Block, Geoffrey Holden, 1948-

Sisdoallologahallan: “…Show boat : in the beginning ; Anything goes : songs ten, book three ; Porgy and Bess : Broadway opera ; On your toes and Pal Joey : dance gets into the act and "sweet water from a foul well" ; The cradle will rock : a labor musical for art's sake ; Lady in the dark and One touch of Venus : the Broadway stranger and his American dreams ; Stage versus screen (1) : before Rodgers and Hammerstein -- Act II : the Broadway musical after Oklahoma!. …”
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