Rezultati pretrage - "Jane Austen"

Irony and idyll : Jane Austen's Pride and Prejudice and Mansfield Park on screen / od Sørbø, Marie N.

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Dancing out of line ballrooms, ballets, and mobility in Victorian fiction and culture / od Engelhardt, Molly

Sadržaj: “…The natural accidents of dancing -- Jane Austen and the semiotics of dance: the manner of reading -- Reckless debutantes and the spectacle of "coming out" -- Sylphs in the parlor-- catch them if you can -- Seeds of discontent : dance manias, medical inquiry, and Victorian (ill) health -- The mourning after : dancing the Victorians past.…”
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Better left unsaid Victorian novels, Hays Code films, and the benefits of censorship / od Gilbert, Nora

Sadržaj: “…Thackeray and Preston Sturges -- For sophisticated eyes only : Jane Austen and George Cukor -- Beyond censorship : Charles Dickens and Frank Capra -- The thrill of the fight : Charlotte Brontë and Elia Kazan -- Postscript : Oscar Wilde and Mae West.…”
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The glass slipper : women and love stories / od Weisser, Susan Ostrov

Sadržaj: “…Introduction: Women and the story of romantic love -- The odd couple: mating Jane Austen with D. H. Lawrence -- Why Charlotte Bronte despised Jane Austen (and what that tells us about the modern meaning of love) -- The true and real thing: Victorian and modern magazine cultures of romance -- Victorian desires and modern romances: Pocahontas on a bridge in Madison County -- For the love of mermaids, beasts, and vampires (and ghosts, robots, monsters, witches, and aliens): romancing the other -- Women who love too much ... or not enough...or the wrong way: the tragedy and comedy of romantic love in modern movies -- Feminism and Harlequin romance: the problem of the love story -- A genre of one's own: African American romance imprints and the "universality" of love -- Is female to romance as male is to porn? …”
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The madwoman in the attic the woman writer and the nineteenth-century literary imagination / od Gilbert, Sandra M.

Sadržaj: “…Inside the house of fiction : Jane Austen's tenants of possibility -- pt. III. How are we Fal'n? …”
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Imagining Minds : The Neuro-Aesthetics of Austen, Eliot, and Hardy / od Young, Kay, 1959-

Sadržaj: “…Introduction : the integrated mind -- Jane Austen and self-consciousness -- "A mind lively and at ease" : imagination and Emma -- "You pierce my soul" : feeling embodied and persuasion -- George Eliot and other-consciousness -- "A voice like music" : the problem of other minds and Middlemarch -- "Beloved ideas made flesh" : the embodied mind and Daniel Deronda -- Thomas Hardy and nonintrospective consciousness -- "Now I am melancholy mad" : mood and Jude the obscure -- "That blue narcotic haze" : dreams, dissociation, and Tess of the d'Urbervilles -- Coda : the neurology of narrative.…”
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Towards the Ethics of Form in Fiction : Narratives of Cultural Remission / od Toker, Leona

Sadržaj: “…Carnival and crisis in three stories by Nathaniel Hawthorne -- Oppositionality in Fielding's Tom Jones -- Carnival diminished : the secret springs of Tristram Shandy -- Non-carnivalesque oppositionality : Jane Austen and the golden mean -- Checks and balances : Charles Dickens's A tale of two cities -- Across the boundaries of the self : George Eliot's Daniel Deronda -- Carnival reversals : Thomas Hardy's The mayor of Casterbridge -- Morphology of crisis : non-contact measurement of self in Conrad's "The secret sharer" -- Carnivalization : throwaways in Joyce's Ulysses -- Discourse of Lent : Kafka's "A hunger artist" and Shalamov's "The artist of the spade."…”
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Peculiar Portrayals : Mormons on the Page, Stage and Screen /

Sadržaj: “…Aaron Sanders -- Elders on the big screen: film and the globalized circulation of Mormon missionary images / John-Charles Duffy -- "I constructed in my mind a vast, panoramic picture": the miracle life of Edgar Mint and postmodern, postdenominational Mormonism / Mark T. Decker -- Jane Austen in Mollywood: mainstreaming Mormonism in Andrew Black's Pride & prejudice / Juliette Wells -- Reality corrupts, reality television corrupts absolutely / Karen D. …”
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Experiencing Fiction : Judgments, Progressions, and the Rhetorical Theory of Narrative / od Phelan, James, 1951-

Sadržaj: “…Judgments, progressions, and the rhetorical experience of narrative -- Jane Austen's experiment in narrative comedy : the beginning and early middle of Persuasion -- Sethe's choice and Toni Morrison's strategies : the beginning and middle of Beloved -- Chicago criticism, new criticism, cultural thematics, and rhetorical poetics -- Progressing toward surprise : Edith Wharton's "Roman fever" -- Delayed disclosure and the problem of other minds : Ian McEwan's Atonement -- Rhetorical aesthetics within rhetorical poetics -- Interlacings of narrative and lyric : Ernest Hemingway's "A clean, well-lighted place" and Sandra Cisneros's "Woman Hollering Creek" -- Narrative in the service of portraiture : Alice Munro's "Prue" and Ann Beattie's "Janus" -- Dramatic dialogue as lyric narrative : Robert Frost's "Home burial" -- Experiencing fiction and its corpus : extensions to nonfiction narrative and synthetic fiction.…”
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Fictions of Authority : Women Writers and Narrative Voice / od Lanser, Susan Sniader, 1944-

Sadržaj: “…Toward a feminist poetics of narrative voice -- The rise of the novel, the fall of the voice: Juliette Catesby's silencing -- In a class by herself: self-silencing in Riccoboni's Abeille -- Sense and reticence: Jane Austen's "Indirections" -- Woman of Maxims: Geoge Eliot and the realist imperative -- Fictions of absence: feminism, modernism, Virginia Woolf -- Unspeakable voice: Toni Morrison's postmodern authority -- Dying for publicity: Mistriss Henley's self-silencing -- Romantic voice: the hero's text -- Jane Eyre's legacy: the powers and dangers of singularity -- African-American personal voice: "her hungriest lack" -- Solidarity and silence: Millenium Hall and The wrongs of woman -- Single resistances: the communal "I" in Gaskell, Jewett, and Audoux -- (Dif)fusions: modern fiction and communal form -- Full circle: Les Guerilleres.…”
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Becoming good ancestors how we balance nature, community, and technology / od Ehrenfeld, David

Sadržaj: “…Pretending -- Brainstorming has its limits -- Nothing simple -- The comforts of fantasy -- Rejecting gifts -- The uses and risks of adaptation -- When machines replace people -- Pseudocommunities -- Obsolescence -- Accelerating social evolution -- Writing -- Affluence and austerity -- Energy and friendly fire -- Durable goods -- Preserving our capital -- Conservation for profit -- Hot spots and the globalization of conservation -- Putting a value on nature -- The downside of corporate immortality -- Wilderness as teacher -- An opposing view of nature -- Death of a plastic palm -- Scientific discoveries and nature's mysteries -- I reinvent agriculture -- Thinking about breeds and species -- Strangers in our own land -- Teaching field ecology -- The ubiquitous right-of-way -- A walk in the woods -- Old growth -- Intimacy with nature -- The utopia fallacy -- Traditions -- Jane Austen and the world of the community -- Universities, schools, and communities -- What do we owe our children? …”
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From fidelity to history film adaptations as cultural events in the twentieth century / od Scholz, Anne-Marie

Sadržaj: “…Adaptations in Cold War West Germany: 1950-1963 -- "Eine revolution des films": The third man (1949), the Cold War, and alternatives to nationalism and "coca-colonization" in Europe -- The bridge on the River Kwai (1957) revisited: combat cinema, American culture and the German past -- "Josef K von 1963": Orson Welles' "Americanized" version of the the trial and the changing functions of the "Kafkaesque" in Cold War West Germany -- Postfeminist relations between "classic" texts and Hollywood film adaptations in the United States in the 1990s: Introduction. "Jane-mania": the Jane Austen film boom in the 1990s -- Thelma and sense and Louise and sensibility: challenging dichotomies in women's history through film and literature -- "Jamesian proportions": the Henry James film boom in the 1990s -- Conclusion -- A case for the "case study": the future of adaptation studies as a branch of transnational film history.…”
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Women constructing men female novelists and their male characters, 1750-2000 /

Sadržaj: “…Haggerty -- The medium makes the man: Anne Plumptre's Something new and The history of myself and my friend / Katharina Rennhak -- "Too much in the common novel style": reforming masculinities in Jane Austen's Sense and sensibility / Sarah Ailwood -- Constructing masculine narrative: Charlotte Brontë's The professor / Sara Pearson -- The lifted veil: George Eliot's experiment with first-person narrative / Frederick Burwick -- Assimilating the "pretty youngster": George Eliot's eroticized men on the borderlines of morality, religion, race, and nation / Rainer Emig -- "His spirituality or his manliness": Elizabeth Stuart Phelps's (re)constructions of Christian masculinity / Roxanne Harde -- The differential construction of masculinity in the writings of Virginia Woolf / Virginia Richter -- Knitting paradise lost: masculinity and domesticity in the novels of Carol Shields / Ellen McWilliams -- Looking (im)properly: women objectifying men's bodies in contemporary Australian women's fiction / Katherine Bode -- Unmaking the self-made man: Louise Erdrich's fictional exploration of masculinity / Angela Laflen -- "I've tried my entire life to be a good man": Suzanne Brockmann's Sam Starrett, ideal romance hero / Sarah S.G. …”
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I Know That You Know That I Know : Narrating Subjects from Moll Flanders to Marnie / od Butte, George, 1947-

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