Search Results - Hawthorne, Nathaniel,~

Cultural Secrets as Narrative Form : Storytelling in Nineteenth-Century America / by Reid, Margaret (Margaret K.)

Table of Contents: “…Imagining cultural origins in James Fenimore Cooper's The spy -- History's revolutions in Nathaniel Hawthorne's The scarlet letter -- "Traces of a vanished world" in Owen Wister's The Virginian -- Conclusion: The storyteller's legacy from Quentin Compson to Oedipa Maas.…”
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Cultural Secrets as Narrative Form : Storytelling in Nineteenth-Century America / by Reid, Margaret (Margaret K.)

Table of Contents: “…Imagining cultural origins in James Fenimore Cooper's The spy -- History's revolutions in Nathaniel Hawthorne's The scarlet letter -- "Traces of a vanished world" in Owen Wister's The Virginian -- Conclusion: The storyteller's legacy from Quentin Compson to Oedipa Maas.…”
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Homicide in American Fiction, 1798–1860 : A Study in Social Values by Davis, David Brion

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Homicide in American Fiction, 1798–1860 : A Study in Social Values by Davis, David Brion

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America's Gothic Fiction : The Legacy of Magnalia Christi Americana / by Baker, Dorothy Zayatz

Table of Contents: “…"We have seen strange things to day" : the history and artistry of Cotton Mather's remarkables -- "A wilderness of error" : Edgar Allan Poe's revision of providential tropes -- Cotton Mather as the "old New England grandmother" : Harriet Beecher Stowe and the female historian -- Nathaniel Hawthorne and the "singular mind" of Cotton Mather -- "The story was in the gaps" : Catharine Maria Sedgwick and Edith Wharton.…”
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America's Gothic Fiction : The Legacy of Magnalia Christi Americana / by Baker, Dorothy Zayatz

Table of Contents: “…"We have seen strange things to day" : the history and artistry of Cotton Mather's remarkables -- "A wilderness of error" : Edgar Allan Poe's revision of providential tropes -- Cotton Mather as the "old New England grandmother" : Harriet Beecher Stowe and the female historian -- Nathaniel Hawthorne and the "singular mind" of Cotton Mather -- "The story was in the gaps" : Catharine Maria Sedgwick and Edith Wharton.…”
Full text available: