Search Results - "blues"

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  1. 1

    Kinds of Blue : The Jazz Aesthetic in African American Narrative / by Grandt, Jürgen E., 1968-

    Published 2004
    Table of Contents: “…-- The remembering song : toward an aesthetic of literary jazz in Sidney Bechet's Treat it Gentle -- "Swing it, sister" : jazz time in Ann Petry's The Street -- Boping billy clubs, burning cadillacs, and wigged-out aliens : jazz and violence in short stories by Langston Hughes, Ralph Ellison, and Amiri Baraka -- Kinds of blue : Toni Morrison, Hans Janowitz, and the jazz aesthetic -- Coda: Waiting to be the music : hybridity, afro-modernism, and critical practice.…”
    Full text available:
    Electronic eBook
  2. 2

    Kinds of Blue : The Jazz Aesthetic in African American Narrative / by Grandt, Jürgen E., 1968-

    Published 2004
    Table of Contents: “…-- The remembering song : toward an aesthetic of literary jazz in Sidney Bechet's Treat it Gentle -- "Swing it, sister" : jazz time in Ann Petry's The Street -- Boping billy clubs, burning cadillacs, and wigged-out aliens : jazz and violence in short stories by Langston Hughes, Ralph Ellison, and Amiri Baraka -- Kinds of blue : Toni Morrison, Hans Janowitz, and the jazz aesthetic -- Coda: Waiting to be the music : hybridity, afro-modernism, and critical practice.…”
    Full text available:
    Electronic eBook
  3. 3

    Seems like murder here southern violence and the blues tradition / by Gussow, Adam

    Published 2002
    Table of Contents: “…"I'm tore down" -- Lynching and the birth of a blues tradition -- "Make my getaway" -- Southern violence and blues entrepreneurship in W.C. …”
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook
  4. 4

    Seems like murder here southern violence and the blues tradition / by Gussow, Adam

    Published 2002
    Table of Contents: “…"I'm tore down" -- Lynching and the birth of a blues tradition -- "Make my getaway" -- Southern violence and blues entrepreneurship in W.C. …”
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook
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  7. 7

    Colonial culture in France since the revolution /

    Published 2014
    Table of Contents: “…Foreword : Moussa the African's blues /…”
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook
  8. 8

    Colonial culture in France since the revolution /

    Published 2014
    Table of Contents: “…Foreword : Moussa the African's blues /…”
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook
  9. 9

    What is this thing called jazz? African American musicians as artists, critics, and activists / by Porter, Eric (Eric C.)

    Published 2002
    Table of Contents: “…A marvel of paradox : jazz and African American modernity -- Dizzy atmosphere : the challenge of bebop -- Passions of a man : the poetics and politics of Charles Mingus -- Straight ahead : Abbey Lincoln and the challenge of jazz singing -- Practicing "creative music" : the black arts imperative in the jazz community -- Writing "creative music" : theorizing the art and politics of improvisation -- The majesty of the blues : Wynton Marsalis's jazz canon.…”
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook
  10. 10

    Beautiful enemies friendship and postwar American poetry / by Epstein, Andrew, 1969-

    Published 2006
    Table of Contents: “…Situating the avant-garde in postwar America: community, individualism, and Cold War culture -- Emerson, pragmatism, and the "new American poetry" -- "my force is in mobility": selfhood and friendship in Frank O'Hara's poetry -- Growing up with our brothers all around: John Ashbery and the interpersonal -- Amiri Baraka and the poetics of turning away -- "Against the speech of friends": Baraka's white friend blues -- "A rainy wool Frankie and Johnny": O'Hara, Ashbery, and the paradoxes of friendship.…”
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook
  11. 11

    What is this thing called jazz? African American musicians as artists, critics, and activists / by Porter, Eric (Eric C.)

    Published 2002
    Table of Contents: “…A marvel of paradox : jazz and African American modernity -- Dizzy atmosphere : the challenge of bebop -- Passions of a man : the poetics and politics of Charles Mingus -- Straight ahead : Abbey Lincoln and the challenge of jazz singing -- Practicing "creative music" : the black arts imperative in the jazz community -- Writing "creative music" : theorizing the art and politics of improvisation -- The majesty of the blues : Wynton Marsalis's jazz canon.…”
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook
  12. 12

    Beautiful enemies friendship and postwar American poetry / by Epstein, Andrew, 1969-

    Published 2006
    Table of Contents: “…Situating the avant-garde in postwar America: community, individualism, and Cold War culture -- Emerson, pragmatism, and the "new American poetry" -- "my force is in mobility": selfhood and friendship in Frank O'Hara's poetry -- Growing up with our brothers all around: John Ashbery and the interpersonal -- Amiri Baraka and the poetics of turning away -- "Against the speech of friends": Baraka's white friend blues -- "A rainy wool Frankie and Johnny": O'Hara, Ashbery, and the paradoxes of friendship.…”
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook
  13. 13

    Postmodernism, traditional cultural forms, and African American narratives / by Hogue, W. Lawrence, 1951-

    Published 2013
    Table of Contents: “…Postmodernism, traditional cultural forms, and African American subjectivity -- Multiple representations of Philadelphia and John Edgar Wideman's Philadelphia fire -- The trickster, African American virtual subject and Percival Everett's erasure -- Using jazz music and aesthetics to re-describe the African American in Toni Morrison's jazz -- Revolting to sustain psychic life: Bonnie Greer's hanging by her teeth and the encounter with the other -- Virtual-actual reality and Clarence Major's reflex and bone structure -- The Jungian/African collective unconscious, jazz aesthetics, and Xam Cartier's Muse-echo blues -- Conclusion.…”
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook
  14. 14

    Postmodernism, traditional cultural forms, and African American narratives / by Hogue, W. Lawrence, 1951-

    Published 2013
    Table of Contents: “…Postmodernism, traditional cultural forms, and African American subjectivity -- Multiple representations of Philadelphia and John Edgar Wideman's Philadelphia fire -- The trickster, African American virtual subject and Percival Everett's erasure -- Using jazz music and aesthetics to re-describe the African American in Toni Morrison's jazz -- Revolting to sustain psychic life: Bonnie Greer's hanging by her teeth and the encounter with the other -- Virtual-actual reality and Clarence Major's reflex and bone structure -- The Jungian/African collective unconscious, jazz aesthetics, and Xam Cartier's Muse-echo blues -- Conclusion.…”
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook
  15. 15

    Bulldaggers, Pansies, and Chocolate Babies : Performance, Race, and Sexuality in the Harlem Renaissance / by Wilson, James F.

    Published 2010
    Table of Contents: “…Introduction: "It's getting dark on old Broadway" -- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) -- "Harlem on my mind": New York's black belt on the Great White Way -- "That's the kind of gal I am": drag balls, "sexual perversion," and David Belasco's Lulu Belle -- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters -- "In my well of loneliness": Gladys Bentley's Bulldykin' blues -- Conclusion: "you've seen Harlem at its best".…”
    Full text available:
    Electronic eBook
  16. 16

    Bulldaggers, Pansies, and Chocolate Babies : Performance, Race, and Sexuality in the Harlem Renaissance / by Wilson, James F.

    Published 2010
    Table of Contents: “…Introduction: "It's getting dark on old Broadway" -- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) -- "Harlem on my mind": New York's black belt on the Great White Way -- "That's the kind of gal I am": drag balls, "sexual perversion," and David Belasco's Lulu Belle -- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters -- "In my well of loneliness": Gladys Bentley's Bulldykin' blues -- Conclusion: "you've seen Harlem at its best".…”
    Full text available:
    Electronic eBook
  17. 17

    Mutha' Is Half A Word : Intersection of Folklore, Vernacular, Myth, and Queerness in Black Female Culture / by Horton-Stallings, LaMonda

    Published 2007
    Table of Contents: “…The black woman and the trickster trope of unnaming -- The erotics of a healing subjectivity: sexual desire, the spirit, and the divine nature of trickster -- "Mutha' is half a word!": tar baby trope and blue material in black female comedy -- Badd-nasty: tricking the tropes of the Bad man/Nigga and Queen B -- The black and white of Queen B 's play -- Queen B s queering of neo-soul desire -- Representin' for the bitches: Queen B in hip-hop culture -- Trickster's gift: a language of sexual rights through polymorphous erotics and voluptuous black women's sexualities.…”
    Full text available:
    Electronic eBook
  18. 18

    Mutha' Is Half A Word : Intersection of Folklore, Vernacular, Myth, and Queerness in Black Female Culture / by Horton-Stallings, LaMonda

    Published 2007
    Table of Contents: “…The black woman and the trickster trope of unnaming -- The erotics of a healing subjectivity: sexual desire, the spirit, and the divine nature of trickster -- "Mutha' is half a word!": tar baby trope and blue material in black female comedy -- Badd-nasty: tricking the tropes of the Bad man/Nigga and Queen B -- The black and white of Queen B 's play -- Queen B s queering of neo-soul desire -- Representin' for the bitches: Queen B in hip-hop culture -- Trickster's gift: a language of sexual rights through polymorphous erotics and voluptuous black women's sexualities.…”
    Full text available:
    Electronic eBook