Search Results - Zehut~
Suggested Topics within your search.
Suggested Topics within your search.
- Criticism and interpretation
- History and criticism 4
- History 3
- Symmetry in literature 3
- Communism 2
- Communism and international relations 2
- Democracy 2
- In literature 2
- International relations 2
- LITERARY CRITICISM / General 2
- Relations 2
- Symetrie dans la litterature 2
- Appreciation 1
- Attribution 1
- Chinese poetry 1
- Ci (Chinese poetry) 1
- Collective memory in literature 1
- English poetry 1
- Epic poetry, Greek 1
- Fiction 1
- Francoism in literature 1
- Gender identity in literature 1
- Historiography 1
- Irish authors 1
- Irish poetry 1
- Literature and history 1
- Middle Ages 1
- Monarchy in literature 1
- Mythology, Celtic, in literature 1
- Mythology, Greek, in literature 1
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Rembrandt, reputation, and the practice of connoisseurship
Published 2004An electronic book accessible through the World Wide Web; click to view
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The poetry of He Zhu (1052-1125) genres, contexts, and creativity /
Published 2007Subjects: “…He, Zhu, 1052-1125 Criticism and interpretation.…”
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Love and death in Kubrick a critical study of the films from Lolita through Eyes wide shut /
Published 2010Table of Contents: “…Strangelove, or how I learned to stop worrying and love the bomb : an immodest proposal -- 2001: a space odyssey -- To infinity and beyond -- A clockwork orange : strange fruit -- The shining : the misuses of enchantment -- Full metal jacket : the law of the father -- Eyes wide shut : twelve and a half -- A.I. : a real boy -- Conclusion.…”
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First readers of Shakespeare's sonnets, 1590-1790 /
Published 2021Table of Contents: “…The passionate pilgrim and Shakespeare's 'sugred' reputation -- Reading and revising Shake-Speare's sonnets (1609) -- The manuscripts of Sonnet 2: sex, sonnets, and spirituality -- John Benson's sonnet sequences (poems: written by Wil. …”
Taylor & Francis
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7
Peckinpah today new essays on the films of Sam Peckinpah /
Published 2012Table of Contents: “…Introduction: times maybe, not them, the enduring value of Sam Peckinpah's films / Michael Bliss -- The deadly companions revisited / Garner Simmons -- Martyred slaves of time: age, regret, and transcendence in The wild bunch / Michael Bliss -- The ballad of divine retribution / Steven Lloyd -- From The siege of Trencher's farm to Straw dogs: the narrative brilliance of Sam Peckinpah / Michael Sragow -- The recutting of Pat Garrett and Billy the Kid: ethical problems in film restoration / Stephen Prince -- The authentic death and contentious afterlife of Pat Garrett and Billy the Kid: the several versions of Peckinpah's last western / Paul Seydor -- Human striving, human strife: Sam Peckinpah and the journey of the soul / Cordell Strug -- Peckinpah's last testament: The Osterman weekend / Tony Williams -- Dawn and dusk / Gérard Camy ; translated by Jean-Paul Gabert.…”
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8
Depth of field Stanley Kubrick, film, and the uses of history /
Published 2006Table of Contents: “…Gehrke -- Pictures, plurality, and puns : a visual approach to Barry Lyndon / Bille Wickre -- Death by typewriter : Stanley Kubrick, the Holocaust, and The shining / Geoffrey Cocks -- Full-metal-jacketing, or masculinity in the making / Paula Willoquet-Maricondi -- In dreams begin responsibilities / Jonathan Rosenbaum -- Freud, Schnitzler, and Eyes wide shut / Peter Loewenberg -- Introducing sociology / Tim Kreider.…”
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9
A distant drummer foreign perspectives on F. Scott Fitzgerald /
Published 2007Table of Contents: “…Fitzgerald's lists as lexical playfields in Tender is the night / Pascale Antolin -- Fitzgerald's professional women : Jenny Prince in "Jacob's ladder" and Helen Avery in "Magnetism" as antecedents of Rosemary Hoyt in Tender is the night / Patricia Fra-López -- Scott Fitzgerald's current British reputation / Andrew Hook.…”
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Petrarch a critical guide to the complete works /
Published 2009Table of Contents: “…The self in the labyrinth of time (Rerum vulgarium fragmenta) / Teodolinda Barolini ; The poem of memory (Triumphi) / Fabio Finotti ; Petrarch's damned poetry and the poetics of exclusion (Rime disperse) / Justin Steinberg -- Part 2. Literary debut, latin humanism, and orations. The rebirth of the Romans as models of character (De viris illustribus) / Ronald G. …”
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Approaches to Homer's Iliad and Odyssey
Published 2010Table of Contents: “…/ Kostas Myrsiades -- Reading Homer through oral tradition / John Miles Foley -- Res agens : towards an ontology of the Homeric self / Damian Stocking -- Feet, fate, and finitude : on standing and inertia in the Iliad / Kalliopi Nikolopoulou -- Learning lessons from the Trojan War : Briseis and the theme of force / Casey Dué -- Poulydamas and Hektor / Matthew Clark -- Aias and the gods / William Duffy -- Homer and the will of Zeus / Joe Wilson -- Assembly and hospitality in the cyclôpeia / Rick M. …”
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Shaw and feminisms on stage and off /
Published 2012Table of Contents: “…Shaw and cruelty / Lawrence Switzky -- 3. Shutting out mother: Vivie Warren as the new woman / Ann Wilson -- 4. …”
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Order in Disorder Intratextual Symmetry in Montaigne’s “Essais” /
Published 2013Table of Contents: “…Introduction : marginal symmetry -- Of means and ends: I: 1 and I: 57 -- The less said: I: 1 and I: 56 -- Something to hide: I: 3 and I: 55 -- Frivolous and vain: I: 4 and I: 54 -- In or out: I: 5 and I: 53 -- Trouble back home: I: 6 and I: 52 -- Words, in effect: I: 7 and I: 51 -- Of idleness and horses: I: 8 and I: 50 -- Lying, after a fashion: I: 9 and I: 49 -- Excess baggage: I: 10 and I: 48 -- Enough already: I: 11 and I: 47 -- Anagrams: I: 12 and I: 46 -- A waiting game: I: 13 and I: 45 -- More than one port in a storm: I: 14 and I: 44 -- Custom and princely grandeur: I: 15 and I: 43 -- Judging Julian judging: I: 16 and I: 42 -- Glory, given and taken: I: 17 and I: 41 -- Empty signs: I: 18 and I: 40 -- Prolonging life: I: 19 and I: 39 -- Unmasking masks: I: 20 and I: 38 -- Powers of attraction: I: 21 and I: 37 -- Complementarities and buried allusions: I: 22 and I: 36 -- Here and there: I: 23 and I: 35 -- How to paint a dog: I: 24 and I: 34 -- Well-nourished daughters: I: 25 and I: 33 -- God's wrath and the weather: I: 26 and I: 32 -- Things to come: I: 27 and I: 31 -- Of immoderation: I: 28 and I: 30 -- Sorting out the pieces: II: 1 and II: 37 -- Slipping it in: II: 2 and II: 36 -- Suicide is painless: II: 3 and II: 35 -- Caesar the procrastinator: II: 4 and II: 34 -- Suffering innocence: II: 5 and II: 33 -- Parallel deaths: II: 6 and II: 32 -- Rewards and punishments: II: 7 and II: 31 -- Hidden monsters: II: 8 and II: 30 -- Only when you need it: II: 9 and II: 29 -- Act your age: II: 10 and II: 28 -- Doubly cruel: II: 11 and II: 27 -- Opposable thumbs: II: 12 and II: 26 -- Eyes wide shut: II: 13 and II: 25 -- Equivalent equivalents: II: 14 and II: 24 -- Civil war vs. civil war: II: 15 and II: 23 -- Spreading the news: II: 16 and II: 22 -- Spitting images: II: 17 and II: 21 -- Consubstantial consubstantiality: II: 18 and II: 20 -- Distant harmonies: III: 1 and III: 13 -- Distant theft: III: 2 and III: 12 -- Intercourse with the lame: III: 3 and III: 11 -- The little things: III: 4 and III: 10 -- Sexual vanity, vain sex: III: 5 and III: 9 -- Borrowed wealth: III: 5 and III: 8 -- Journey to the center of the book: I: 29, II: 19, and III: 7 -- Epilogue: the playful text.…”
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Order in Disorder : Intratextual Symmetry in Montaigne’s “Essais” /
Published 2013Table of Contents: “…Introduction : marginal symmetry -- Of means and ends: I: 1 and I: 57 -- The less said: I: 1 and I: 56 -- Something to hide: I: 3 and I: 55 -- Frivolous and vain: I: 4 and I: 54 -- In or out: I: 5 and I: 53 -- Trouble back home: I: 6 and I: 52 -- Words, in effect: I: 7 and I: 51 -- Of idleness and horses: I: 8 and I: 50 -- Lying, after a fashion: I: 9 and I: 49 -- Excess baggage: I: 10 and I: 48 -- Enough already: I: 11 and I: 47 -- Anagrams: I: 12 and I: 46 -- A waiting game: I: 13 and I: 45 -- More than one port in a storm: I: 14 and I: 44 -- Custom and princely grandeur: I: 15 and I: 43 -- Judging Julian judging: I: 16 and I: 42 -- Glory, given and taken: I: 17 and I: 41 -- Empty signs: I: 18 and I: 40 -- Prolonging life: I: 19 and I: 39 -- Unmasking masks: I: 20 and I: 38 -- Powers of attraction: I: 21 and I: 37 -- Complementarities and buried allusions: I: 22 and I: 36 -- Here and there: I: 23 and I: 35 -- How to paint a dog: I: 24 and I: 34 -- Well-nourished daughters: I: 25 and I: 33 -- God's wrath and the weather: I: 26 and I: 32 -- Things to come: I: 27 and I: 31 -- Of immoderation: I: 28 and I: 30 -- Sorting out the pieces: II: 1 and II: 37 -- Slipping it in: II: 2 and II: 36 -- Suicide is painless: II: 3 and II: 35 -- Caesar the procrastinator: II: 4 and II: 34 -- Suffering innocence: II: 5 and II: 33 -- Parallel deaths: II: 6 and II: 32 -- Rewards and punishments: II: 7 and II: 31 -- Hidden monsters: II: 8 and II: 30 -- Only when you need it: II: 9 and II: 29 -- Act your age: II: 10 and II: 28 -- Doubly cruel: II: 11 and II: 27 -- Opposable thumbs: II: 12 and II: 26 -- Eyes wide shut: II: 13 and II: 25 -- Equivalent equivalents: II: 14 and II: 24 -- Civil war vs. civil war: II: 15 and II: 23 -- Spreading the news: II: 16 and II: 22 -- Spitting images: II: 17 and II: 21 -- Consubstantial consubstantiality: II: 18 and II: 20 -- Distant harmonies: III: 1 and III: 13 -- Distant theft: III: 2 and III: 12 -- Intercourse with the lame: III: 3 and III: 11 -- The little things: III: 4 and III: 10 -- Sexual vanity, vain sex: III: 5 and III: 9 -- Borrowed wealth: III: 5 and III: 8 -- Journey to the center of the book: I: 29, II: 19, and III: 7 -- Epilogue: the playful text.…”
Full text available:
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Order in Disorder : Intratextual Symmetry in Montaigne’s “Essais” /
Published 2013Table of Contents: “…Introduction : marginal symmetry -- Of means and ends: I: 1 and I: 57 -- The less said: I: 1 and I: 56 -- Something to hide: I: 3 and I: 55 -- Frivolous and vain: I: 4 and I: 54 -- In or out: I: 5 and I: 53 -- Trouble back home: I: 6 and I: 52 -- Words, in effect: I: 7 and I: 51 -- Of idleness and horses: I: 8 and I: 50 -- Lying, after a fashion: I: 9 and I: 49 -- Excess baggage: I: 10 and I: 48 -- Enough already: I: 11 and I: 47 -- Anagrams: I: 12 and I: 46 -- A waiting game: I: 13 and I: 45 -- More than one port in a storm: I: 14 and I: 44 -- Custom and princely grandeur: I: 15 and I: 43 -- Judging Julian judging: I: 16 and I: 42 -- Glory, given and taken: I: 17 and I: 41 -- Empty signs: I: 18 and I: 40 -- Prolonging life: I: 19 and I: 39 -- Unmasking masks: I: 20 and I: 38 -- Powers of attraction: I: 21 and I: 37 -- Complementarities and buried allusions: I: 22 and I: 36 -- Here and there: I: 23 and I: 35 -- How to paint a dog: I: 24 and I: 34 -- Well-nourished daughters: I: 25 and I: 33 -- God's wrath and the weather: I: 26 and I: 32 -- Things to come: I: 27 and I: 31 -- Of immoderation: I: 28 and I: 30 -- Sorting out the pieces: II: 1 and II: 37 -- Slipping it in: II: 2 and II: 36 -- Suicide is painless: II: 3 and II: 35 -- Caesar the procrastinator: II: 4 and II: 34 -- Suffering innocence: II: 5 and II: 33 -- Parallel deaths: II: 6 and II: 32 -- Rewards and punishments: II: 7 and II: 31 -- Hidden monsters: II: 8 and II: 30 -- Only when you need it: II: 9 and II: 29 -- Act your age: II: 10 and II: 28 -- Doubly cruel: II: 11 and II: 27 -- Opposable thumbs: II: 12 and II: 26 -- Eyes wide shut: II: 13 and II: 25 -- Equivalent equivalents: II: 14 and II: 24 -- Civil war vs. civil war: II: 15 and II: 23 -- Spreading the news: II: 16 and II: 22 -- Spitting images: II: 17 and II: 21 -- Consubstantial consubstantiality: II: 18 and II: 20 -- Distant harmonies: III: 1 and III: 13 -- Distant theft: III: 2 and III: 12 -- Intercourse with the lame: III: 3 and III: 11 -- The little things: III: 4 and III: 10 -- Sexual vanity, vain sex: III: 5 and III: 9 -- Borrowed wealth: III: 5 and III: 8 -- Journey to the center of the book: I: 29, II: 19, and III: 7 -- Epilogue: the playful text.…”
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Doris Lessing : Interrogating the Times /
Published 2010Table of Contents: “…: the relationship between why and how Lessing writes / Alice Ridout -- London and Kabul : assessing the politics of terrorist violence / Sandra Singer -- The porous border between fact and fiction, empathy and identification in Doris Lessing's The cleft / Phyllis Sternberg Perrakis -- love, again and The sweetest dream : fiction and interleaved fictions / Virginia Tiger -- Writing in a minor key : Doris Lessing's late-twentieth-century fiction / Susan Watkins -- Domestic spaces : huts and houses in Doris Lessing's African stories / Pat Louw -- The challenge of teaching Doris Lessing's The golden notebook in the twenty-first century / Suzette Henke -- Sex after sixty : love, again and The sweetest dream / Ruth O. …”
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Doris Lessing : Interrogating the Times /
Published 2010Table of Contents: “…: the relationship between why and how Lessing writes / Alice Ridout -- London and Kabul : assessing the politics of terrorist violence / Sandra Singer -- The porous border between fact and fiction, empathy and identification in Doris Lessing's The cleft / Phyllis Sternberg Perrakis -- love, again and The sweetest dream : fiction and interleaved fictions / Virginia Tiger -- Writing in a minor key : Doris Lessing's late-twentieth-century fiction / Susan Watkins -- Domestic spaces : huts and houses in Doris Lessing's African stories / Pat Louw -- The challenge of teaching Doris Lessing's The golden notebook in the twenty-first century / Suzette Henke -- Sex after sixty : love, again and The sweetest dream / Ruth O. …”
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Seamus Heaney and the emblems of hope
Published 2007An electronic book accessible through the World Wide Web; click to view
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Power of Freedom : Hu Shih's Political Writings /
Published 2022Full text available:
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