A History of Icelandic Literature / od Stefán Einarsson, 1897-1972

Spis treści: “…Introduction -- Eddic Poetry -- Skaldic Poetry -- Sacred Poetry -- Secular Poetry of the Later Middle Ages -- Literature of the Clergy -- The Earliest Historiographers -- The Kings' Sagas -- The Sagas -- The Family Sagas -- Sturlunga Saga -- Fornalder Sogur -- Romances of Chivalry and Lygi Sogur -- The Reformation -- The Icelandic Renaissance -- Secular Poetry, 1550-1750 -- Enlightenment (Neo-Classicism), 1750-1830 -- National Romanticism, 1830-1874 -- Realism to Neo-Romanticism, 1874-1918 -- Tradition and Revolt Between the World Wars, 1918-1940 -- After World War II, 1940-1956 -- American-Icelandic Writers.…”
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A History of Icelandic Literature / od Stefán Einarsson, 1897-1972

Spis treści: “…Introduction -- Eddic Poetry -- Skaldic Poetry -- Sacred Poetry -- Secular Poetry of the Later Middle Ages -- Literature of the Clergy -- The Earliest Historiographers -- The Kings' Sagas -- The Sagas -- The Family Sagas -- Sturlunga Saga -- Fornalder Sogur -- Romances of Chivalry and Lygi Sogur -- The Reformation -- The Icelandic Renaissance -- Secular Poetry, 1550-1750 -- Enlightenment (Neo-Classicism), 1750-1830 -- National Romanticism, 1830-1874 -- Realism to Neo-Romanticism, 1874-1918 -- Tradition and Revolt Between the World Wars, 1918-1940 -- After World War II, 1940-1956 -- American-Icelandic Writers.…”
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Tainted Souls and Painted Faces : The Rhetoric of Fallenness in Victorian Culture / od Anderson, Amanda, 1960-

Spis treści: “…Mid-Victorian conceptions of character, agency, and reform: social science and the "great social evil" -- "The taint the very tale conveyed": self-reading, suspicion, and falleness in Dickens -- Melodrama, morbidity, and unthinking sympathy: Gaskell's Mary Barton and Ruth -- Dramatic monologue in crisis: agency and exchange in G.G. …”
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Tainted Souls and Painted Faces : The Rhetoric of Fallenness in Victorian Culture / od Anderson, Amanda, 1960-

Spis treści: “…Mid-Victorian conceptions of character, agency, and reform: social science and the "great social evil" -- "The taint the very tale conveyed": self-reading, suspicion, and falleness in Dickens -- Melodrama, morbidity, and unthinking sympathy: Gaskell's Mary Barton and Ruth -- Dramatic monologue in crisis: agency and exchange in G.G. …”
Full text available: