Theater Figures : The Production of the Nineteenth-Century British Novel / by Allen, Emily, 1964-

Table of Contents: “…Theatrical reforms: Stage fright and the scene of reading -- Staging a comeback: The remasculinization of the novel -- Heimlich maneuvers: Domesticity, theatricality, and the abject -- Mesdames Bovary: Performative reading, cultural capital, and high art -- Performing distinction: Elevating the literary sphere.…”
Full text available:

Theater Figures : The Production of the Nineteenth-Century British Novel / by Allen, Emily, 1964-

Table of Contents: “…Theatrical reforms: Stage fright and the scene of reading -- Staging a comeback: The remasculinization of the novel -- Heimlich maneuvers: Domesticity, theatricality, and the abject -- Mesdames Bovary: Performative reading, cultural capital, and high art -- Performing distinction: Elevating the literary sphere.…”
Full text available:

Tainted Souls and Painted Faces : The Rhetoric of Fallenness in Victorian Culture / by Anderson, Amanda, 1960-

Table of Contents: “…Mid-Victorian conceptions of character, agency, and reform: social science and the "great social evil" -- "The taint the very tale conveyed": self-reading, suspicion, and falleness in Dickens -- Melodrama, morbidity, and unthinking sympathy: Gaskell's Mary Barton and Ruth -- Dramatic monologue in crisis: agency and exchange in G.G. …”
Full text available:

Tainted Souls and Painted Faces : The Rhetoric of Fallenness in Victorian Culture / by Anderson, Amanda, 1960-

Table of Contents: “…Mid-Victorian conceptions of character, agency, and reform: social science and the "great social evil" -- "The taint the very tale conveyed": self-reading, suspicion, and falleness in Dickens -- Melodrama, morbidity, and unthinking sympathy: Gaskell's Mary Barton and Ruth -- Dramatic monologue in crisis: agency and exchange in G.G. …”
Full text available: