Showing 1 - 5 results of 5 for search '"Reformation"', query time: 0.02s Refine Results
  1. 1

    A History of Icelandic Literature / by Stefán Einarsson, 1897-1972

    Published 2019
    Table of Contents: “…Introduction -- Eddic Poetry -- Skaldic Poetry -- Sacred Poetry -- Secular Poetry of the Later Middle Ages -- Literature of the Clergy -- The Earliest Historiographers -- The Kings' Sagas -- The Sagas -- The Family Sagas -- Sturlunga Saga -- Fornalder Sogur -- Romances of Chivalry and Lygi Sogur -- The Reformation -- The Icelandic Renaissance -- Secular Poetry, 1550-1750 -- Enlightenment (Neo-Classicism), 1750-1830 -- National Romanticism, 1830-1874 -- Realism to Neo-Romanticism, 1874-1918 -- Tradition and Revolt Between the World Wars, 1918-1940 -- After World War II, 1940-1956 -- American-Icelandic Writers.…”
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  2. 2

    Theater Figures : The Production of the Nineteenth-Century British Novel / by Allen, Emily, 1964-

    Published 2003
    Table of Contents: “…Theatrical reforms: Stage fright and the scene of reading -- Staging a comeback: The remasculinization of the novel -- Heimlich maneuvers: Domesticity, theatricality, and the abject -- Mesdames Bovary: Performative reading, cultural capital, and high art -- Performing distinction: Elevating the literary sphere.…”
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  3. 3

    Queering Cold War Poetry : Ethics of Vulnerability in Cuba and the United States / by Keenaghan, Eric

    Published 2009
    Table of Contents: “…Toward a queer ethic of vulnerability -- Intrinsic coupling: Wallace Stevens and the pleasures of correspondence -- A nation's secrets: resistance and reform in Jose Lezama Lima's poetic system -- Vulnerable households: containment and Robert Duncan's queered nation -- A baroque revolution : Severo Sarduy's queer cosmology.…”
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  4. 4

    Tainted Souls and Painted Faces : The Rhetoric of Fallenness in Victorian Culture / by Anderson, Amanda, 1960-

    Published 1993
    Table of Contents: “…Mid-Victorian conceptions of character, agency, and reform: social science and the "great social evil" -- "The taint the very tale conveyed": self-reading, suspicion, and falleness in Dickens -- Melodrama, morbidity, and unthinking sympathy: Gaskell's Mary Barton and Ruth -- Dramatic monologue in crisis: agency and exchange in G.G. …”
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  5. 5