The New Woman and the Empire / by Jusová, Iveta, 1966-

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The New Woman and the Empire / by Jusová, Iveta, 1966-

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Feminist Realism at the Fin de Siecle : The Influence of the Late-Victorian Woman's Press on the Development of the Novel / by Youngkin, Molly, 1970-

Table of Contents: “…The woman's press at the fin de siecle -- "They are learning to think ... for themselves" : consciousness raised -- "What the girl says" : spoken word as political tool -- Women at work, at war, and on the go : feminist action -- "The realistic method in its best expression" : successful representations of woman's agency and literary reputations -- Engaging and shaping modernism.…”
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Feminist Realism at the Fin de Siecle : The Influence of the Late-Victorian Woman's Press on the Development of the Novel / by Youngkin, Molly, 1970-

Table of Contents: “…The woman's press at the fin de siecle -- "They are learning to think ... for themselves" : consciousness raised -- "What the girl says" : spoken word as political tool -- Women at work, at war, and on the go : feminist action -- "The realistic method in its best expression" : successful representations of woman's agency and literary reputations -- Engaging and shaping modernism.…”
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London, Radical Culture, and the Making of the Dickensian Aesthetic / by Sen, Sambudha

Table of Contents: “…Dickens, Thackeray, and "the language of radicalism" -- The aesthetics and politics of caricature : Bleak house, Little Dorrit, and Vanity fair in relation to "radical expression" -- Re-visioning the city : the making of an urban aesthetic from Hogarth to the stereoscope -- Novelizing the city : Bleak house, Vanity fair, and the hybridizing challenge -- Radical culture, the city, and the problem of selfhood : Great expectations and Pendennis -- Working with fragments : Our mutual friend as a reflection on the popular aesthetic.…”
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London, Radical Culture, and the Making of the Dickensian Aesthetic / by Sen, Sambudha

Table of Contents: “…Dickens, Thackeray, and "the language of radicalism" -- The aesthetics and politics of caricature : Bleak house, Little Dorrit, and Vanity fair in relation to "radical expression" -- Re-visioning the city : the making of an urban aesthetic from Hogarth to the stereoscope -- Novelizing the city : Bleak house, Vanity fair, and the hybridizing challenge -- Radical culture, the city, and the problem of selfhood : Great expectations and Pendennis -- Working with fragments : Our mutual friend as a reflection on the popular aesthetic.…”
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Deciphering Race : White Anxiety, Racial Conflict, and the Turn to Fiction in Mid-Victorian English Prose / by Callanan, Laura

Table of Contents: “…Aestheticizing Mid-Victorian Racial Tropism -- Toussaint and the Staging of Political Aesthetics in Normal: Harriet Martineaus The Hour and the Man (1841) -- Life Clothed in Forms: Radical Racism as Formalist Aesthetic in Robert Knoxs The Races of Men (1850) -- The Dialectic of Scapegoat and Fetish: Failed Catharsis in Charles Dickens and Wilkie Collinss The Perils of Certain English Prisoners (1857) -- So Help Me God, the Truth and Not the Truth: Hyper-Realism and the Taxonomy of Truth Seeking in the Royal Commissions Inquiry into the 1865 Jamaica Rebellion -- Race, Ruins, and Rebellion: Spatializing Racial @Normal: Otherness in James Grants First Love and Last Love (1868) -- De-Aestheticizing Sara(h) Ba(a)rtman(n).…”
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Deciphering Race : White Anxiety, Racial Conflict, and the Turn to Fiction in Mid-Victorian English Prose / by Callanan, Laura

Table of Contents: “…Aestheticizing Mid-Victorian Racial Tropism -- Toussaint and the Staging of Political Aesthetics in Normal: Harriet Martineaus The Hour and the Man (1841) -- Life Clothed in Forms: Radical Racism as Formalist Aesthetic in Robert Knoxs The Races of Men (1850) -- The Dialectic of Scapegoat and Fetish: Failed Catharsis in Charles Dickens and Wilkie Collinss The Perils of Certain English Prisoners (1857) -- So Help Me God, the Truth and Not the Truth: Hyper-Realism and the Taxonomy of Truth Seeking in the Royal Commissions Inquiry into the 1865 Jamaica Rebellion -- Race, Ruins, and Rebellion: Spatializing Racial @Normal: Otherness in James Grants First Love and Last Love (1868) -- De-Aestheticizing Sara(h) Ba(a)rtman(n).…”
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Scenes of Sympathy : Identity and Representation in Victorian Fiction / by Jaffe, Audrey

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Scenes of Sympathy : Identity and Representation in Victorian Fiction / by Jaffe, Audrey

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The Woman Painter in Victorian Literature / by Losano, Antonia Jacqueline

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The Woman Painter in Victorian Literature / by Losano, Antonia Jacqueline

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Detecting the Nation : Fictions of Detection and the Imperial Venture / by Reitz, Caroline

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Detecting the Nation : Fictions of Detection and the Imperial Venture / by Reitz, Caroline

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