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  1. 1

    The Writing Public : Participatory Knowledge Production in Enlightenment and Revolutionary France / by Bond, Elizabeth Andrews

    Published 2021
    Table of Contents: “…The production and distribution of the information press -- The writers, self-presentation, and subjectivity -- Reading together, book references and reading practices -- Popular science and public participation -- Agricultural reform and local innovation -- Bienfaisance, fellow-feeling, and the public good -- Communicating the revolution.…”
    Full text available:
    Electronic eBook
  2. 2

    The Writing Public : Participatory Knowledge Production in Enlightenment and Revolutionary France / by Bond, Elizabeth Andrews

    Published 2021
    Table of Contents: “…The production and distribution of the information press -- The writers, self-presentation, and subjectivity -- Reading together, book references and reading practices -- Popular science and public participation -- Agricultural reform and local innovation -- Bienfaisance, fellow-feeling, and the public good -- Communicating the revolution.…”
    Full text available:
    Electronic eBook
  3. 3

    Listening well on Beethoven, Berlioz, and other music criticism in Paris, Boston, and New York, 1764-1890 / by Saloman, Ora Frishberg, 1938-

    Published 2009
    Table of Contents: “…Margaret Fuller on musical life in Boston and in New York, 1841-46 ; American writers on Beethoven, 1838-49 : Dwight, Fuller, Cranch, Story ; Fink, Hach, and Dwight's Beethoven in 1843-44 ; Dwight, transatlantic connections, and the American premiere of Beethoven's Ninth symphony in New York, 1846 ; Presenting Berlioz's music in New York, 1846-90 : Carl Bergmann, Theodore Thomas, Leopold Damrosch.…”
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook
  4. 4

    Listening well on Beethoven, Berlioz, and other music criticism in Paris, Boston, and New York, 1764-1890 / by Saloman, Ora Frishberg, 1938-

    Published 2009
    Table of Contents: “…Margaret Fuller on musical life in Boston and in New York, 1841-46 ; American writers on Beethoven, 1838-49 : Dwight, Fuller, Cranch, Story ; Fink, Hach, and Dwight's Beethoven in 1843-44 ; Dwight, transatlantic connections, and the American premiere of Beethoven's Ninth symphony in New York, 1846 ; Presenting Berlioz's music in New York, 1846-90 : Carl Bergmann, Theodore Thomas, Leopold Damrosch.…”
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook