Building colonial cities of God mendicant orders and urban culture in New Spain, 1570-1800 / by Melvin, Karen, Associate Professor

Table of Contents: “…Ordering cities : urban convents and friars, 1570-1810 -- Distinguishing habits : corporate and collective mendicant identities -- Serving cities : orders and their urban ministries -- Defining religions : mendicant connections and disconnections in urban society -- Loving complaints : orders and the formation of local religious culture.…”
An electronic book accessible through the World Wide Web; click to view

Building colonial cities of God mendicant orders and urban culture in New Spain, 1570-1800 / by Melvin, Karen, Associate Professor

Table of Contents: “…Ordering cities : urban convents and friars, 1570-1810 -- Distinguishing habits : corporate and collective mendicant identities -- Serving cities : orders and their urban ministries -- Defining religions : mendicant connections and disconnections in urban society -- Loving complaints : orders and the formation of local religious culture.…”
An electronic book accessible through the World Wide Web; click to view

Making and Unmaking in Early Modern English Drama : Spectators, Aesthetics and Incompletion / by Porter, Chloe

Table of Contents: “…Early modern English drama and visual culture -- 'In the keeping of Paulina': the unknowable image in The Winter's tale -- 'But begun for others to end': the ends of incompletion -- 'The brazen head lies broken': divine destruction in Friar Bacon and Friar Bungay -- Going unseen: invisibility and erasure in The Two merry milkmaids.…”
Full text available:

Making and Unmaking in Early Modern English Drama : Spectators, Aesthetics and Incompletion / by Porter, Chloe

Table of Contents: “…Early modern English drama and visual culture -- 'In the keeping of Paulina': the unknowable image in The Winter's tale -- 'But begun for others to end': the ends of incompletion -- 'The brazen head lies broken': divine destruction in Friar Bacon and Friar Bungay -- Going unseen: invisibility and erasure in The Two merry milkmaids.…”
Full text available: