Increase and multiply governing cultural reproduction in early modern England / by Glimp, David

Table of Contents: “…"Making up people" : the English Commonwealth and the writing of populations -- Defending poetic generation : Sir Philip Sidney and the aesthetics of educational reproduction -- Staging government : Shakespearean theater and the government of cultural reproduction -- The educational genesis of men : puritan reform and John Milton's Of education -- Paradisal arithmetic : Paradise Lost and the genesis of populations.…”
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Texts and traditions religion in Shakespeare, 1592-1604 / by Groves, Beatrice, 1978-

Table of Contents: “…Drama and the word : the Bible on the early modern stage -- Shakespeare's incarnational aesthetic : the mystery plays and Catholicism -- Comedic form and Paschal motif in the first and second quartos of Romeo and Juliet -- "I am not he shall buyld the Lord a house" : religious imagery and the succession to the English throne in King John -- "Covering discretion with a coat of folly" : the redemptive self-fashioning of Hal -- "Usurp the beggary he was never born to" : Measure for measure and the questioning of divine kingship.…”
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Shakespeare, the Renaissance and empire. by Hart, Jonathan Locke, 1956-

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Latinx Shakespeares : Staging U.S. Intracultural Theater / by Della Gatta, Carla

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Posthuman Lear: Reading Shakespeare in the Anthropocene / by Dionne, Craig

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Shakespeare in the world cross-cultural adaptation in Europe and colonial India, 1850-1900 / by Sen, Suddhaseel

Table of Contents: “…Shakespeare's Hamlet: Texts and Performances up to the Nineteenth Century -- Hamlet in France: From Ducis to Dumas and Meurice -- Thomas's Hamlet as Opéra Lyrique -- The Operatic Ophélie -- The Afterlife of Thomas's Hamlet -- 2 Nationalism and Aesthetic Self-Fashioning: Giuseppe Verdi's Otello -- Introduction -- Jealousy and Vengeance in Othello and Otello (i): Racial Discourses -- Jealousy and Vengeance in Othello and Otello (ii): Religious Discourses -- Jealousy and Vengeance in Othello and Otello (iii): The Pressures of Patriarchy…”
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