Cinepaternity fathers and sons in Soviet and post-Soviet film /

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Perverse titillation the exploitation cinema of Italy, Spain and France, 1960-1980 / per Shipka, Danny, 1967-

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American racist the life and films of Thomas Dixon / per Slide, Anthony

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Conspiracy films a tour of dark places in the American conscious / per Donovan, Barna William, 1970-

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Censoring Hollywood sex and violence in film and on the cutting room floor / per Dillon-Malone, A. (Aubrey)

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Screens and veils Maghrebi women's cinema / per Martin, Florence, 1959-

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Global neorealism the transnational history of a film style /

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Speaking havoc social suffering & South Asian narratives / per Nagappan, Ramu

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Queering contemporary French popular cinema images and their reception / per Waldron, Darren

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The poetics of Iranian cinema aesthetics, modernity and film after the revolution / per Sheibani, Khatereh

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Film and the American moral vision of nature Theodore Roosevelt to Walt Disney / per Tobias, Ron

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Charms of the cynical reason the trickster's transformations in Soviet and post-Soviet culture / per Lipovet͡skiĭ, M. N. (Mark Naumovich)

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Early American cinema in transition story, style, and filmmaking, 1907-1913 / per Keil, Charlie

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After Kieślowski the legacy of Krzysztof Kieślowski /

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Howard Hawks per Wood, Robin, 1931-2009

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Hollywood 1938 motion pictures' greatest year / per Jurca, Catherine, 1964-

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Hollywood's African American films the transition to sound / per Friedman, Ryan Jay

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Afro-Cuban identity in post-revolutionary novel and film inclusion, loss, and cultural resistance / per Morris, Andrea E.

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Italy meets Africa colonial discourses in Italian cinema / per Di Carmine, Roberta, 1965-

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Film, theory and philosophy the key thinkers /

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