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    The mission and message of music building blocks to the aesthetics of music in our time / by Smoira-Cohn, Michal

    Published 2010
    Table of Contents: “…section A. Music as a phenomenon -- section B. Music, single or plural? …”
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook
  8. 8

    The mission and message of music building blocks to the aesthetics of music in our time / by Smoira-Cohn, Michal

    Published 2010
    Table of Contents: “…section A. Music as a phenomenon -- section B. Music, single or plural? …”
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook
  9. 9

    Music and the language of love seventeenth-century French airs / by Gordon-Seifert, Catherine Elizabeth

    Published 2011
    Table of Contents: “…Music and texts: an overview of the sources: A general description of the air ; The publications ; The composers ; Publications by Lambert, Bacilly, La Barre, and Le Camus: a description ; The song texts ; Poetic structure ; Style or elocution: figurative language and poetic syntax ; Poetry and rhetoric -- Rhetoric and meaning in the seventeenth-century French air: Seventeenth-century French sources on rhetoric and music ; Persuading the passions -- Musical representations of the primary passions: The primary passions ; The agitated passions ; The modest passions ; The neutral passion: Le contentement ; Summary -- Setting the texts: Painful love ; Bittersweet love ; Enticing love ; Joyous love ; Summary -- Form and style: the organization and function of expressions, syntax, and rhetorical figures: Form (disposition) ; The organization of expressions in short airs ; The organization of expressions in long airs ; Form in single-strophe airs ; The rhetorical sections of a piece: their function and expression ; Style (elocution): poetic structure, punctuation, and rhetorical figures -- L'art du chant: performing French airs: À haute voix: the importance of orality ; The art of proper singing: tone and style ; Ornamentation ; The pronunciation of seventeenth-century French ; Syllabic quantity ; Tempo ; Le mouvement ; Repeats ; Basso continuo accompaniment -- Salon culture and the mid-seventeenth-century French air: The French air and conversation ; Musical seductions ; Galanterie and the air: undercurrents of eroticism and lessons of morality ; Women singing airs as men -- The late-seventeenth-century air and the rhetoric of distraction ; The air after 1670 ; Songs and the rhetoric of distraction ; Pleasure, airs, and the new rhetoric ; The legacy of Lambert, Bacilly, Le Camus, and La Barre.…”
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook
  10. 10

    Music and the language of love seventeenth-century French airs / by Gordon-Seifert, Catherine Elizabeth

    Published 2011
    Table of Contents: “…Music and texts: an overview of the sources: A general description of the air ; The publications ; The composers ; Publications by Lambert, Bacilly, La Barre, and Le Camus: a description ; The song texts ; Poetic structure ; Style or elocution: figurative language and poetic syntax ; Poetry and rhetoric -- Rhetoric and meaning in the seventeenth-century French air: Seventeenth-century French sources on rhetoric and music ; Persuading the passions -- Musical representations of the primary passions: The primary passions ; The agitated passions ; The modest passions ; The neutral passion: Le contentement ; Summary -- Setting the texts: Painful love ; Bittersweet love ; Enticing love ; Joyous love ; Summary -- Form and style: the organization and function of expressions, syntax, and rhetorical figures: Form (disposition) ; The organization of expressions in short airs ; The organization of expressions in long airs ; Form in single-strophe airs ; The rhetorical sections of a piece: their function and expression ; Style (elocution): poetic structure, punctuation, and rhetorical figures -- L'art du chant: performing French airs: À haute voix: the importance of orality ; The art of proper singing: tone and style ; Ornamentation ; The pronunciation of seventeenth-century French ; Syllabic quantity ; Tempo ; Le mouvement ; Repeats ; Basso continuo accompaniment -- Salon culture and the mid-seventeenth-century French air: The French air and conversation ; Musical seductions ; Galanterie and the air: undercurrents of eroticism and lessons of morality ; Women singing airs as men -- The late-seventeenth-century air and the rhetoric of distraction ; The air after 1670 ; Songs and the rhetoric of distraction ; Pleasure, airs, and the new rhetoric ; The legacy of Lambert, Bacilly, Le Camus, and La Barre.…”
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook
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    The metaphysical vision Arthur Schopenhauer's philosophy of art and life and Samuel Beckett's own way to make use of it / by Pothast, Ulrich

    Published 2008
    Table of Contents: “…Metaphysical vision -- Schopenhauer out of fashion : Beckett his student -- Intentions and limits -- Metaphysics of art and life -- On Schopenhauer's aesthetics and world view -- Premises from Schopenhauer's theory of knowledge and metaphysics -- Dissolution of self and creation of art -- The truly metaphysical activity of this life -- Idea and sensory perception -- Symbols trivial -- Realism vulgar -- Every thing beautiful -- Genius objective -- Bliss, not just pleasure -- Will-less, not just disinterested -- Music -- Tragedy and the vanity of life -- Denial of the will-to-live -- Affirmation of the will-to-live -- Happiness negative -- Suffering productive -- The metaphysical drama -- Timeless present, no ending - Life pensum, suicide no escape -- The primacy of nothingness -- Beckett's philosophical view of art and life in Proust -- True reality and caricature of reality -- Idea versus concept -- Causality, time, will -- Habit -- Two kinds of memory -- Vulgarity -- Death of habit: waking madness -- Purity, impurity -- The necessity of art -- Schopenhauer made use of -- Schopenhauer altered -- The proustian equation, the proustian solution -- Affirmation of the will, voluntarily tantalus -- Desert of loneliness, no morality -- Existence of the artist -- On some details in Beckett's literary work -- Murphy -- I am not of the big world, I am of the little world -- Vision -- Will-lessness, yearning for nothing -- Moran -- Remnants of a pensum -- A work which will subsist -- Finality without end -- Images of that kind the will cannot revive -- Dispossessed of self -- The unnamable -- What if we were one and the same after all -- There is no pronoun for me -- I have a pensum to discharge -- I'm all these words -- I am doing my best and failing : new thoughts about art and the artist -- Gogo and Didi, Hamm and Clov -- In a cage out of time and space -- In a single night -- You pollute the air -- Is it not time for my pain-killer? …”
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook
  20. 20

    The metaphysical vision Arthur Schopenhauer's philosophy of art and life and Samuel Beckett's own way to make use of it / by Pothast, Ulrich

    Published 2008
    Table of Contents: “…Metaphysical vision -- Schopenhauer out of fashion : Beckett his student -- Intentions and limits -- Metaphysics of art and life -- On Schopenhauer's aesthetics and world view -- Premises from Schopenhauer's theory of knowledge and metaphysics -- Dissolution of self and creation of art -- The truly metaphysical activity of this life -- Idea and sensory perception -- Symbols trivial -- Realism vulgar -- Every thing beautiful -- Genius objective -- Bliss, not just pleasure -- Will-less, not just disinterested -- Music -- Tragedy and the vanity of life -- Denial of the will-to-live -- Affirmation of the will-to-live -- Happiness negative -- Suffering productive -- The metaphysical drama -- Timeless present, no ending - Life pensum, suicide no escape -- The primacy of nothingness -- Beckett's philosophical view of art and life in Proust -- True reality and caricature of reality -- Idea versus concept -- Causality, time, will -- Habit -- Two kinds of memory -- Vulgarity -- Death of habit: waking madness -- Purity, impurity -- The necessity of art -- Schopenhauer made use of -- Schopenhauer altered -- The proustian equation, the proustian solution -- Affirmation of the will, voluntarily tantalus -- Desert of loneliness, no morality -- Existence of the artist -- On some details in Beckett's literary work -- Murphy -- I am not of the big world, I am of the little world -- Vision -- Will-lessness, yearning for nothing -- Moran -- Remnants of a pensum -- A work which will subsist -- Finality without end -- Images of that kind the will cannot revive -- Dispossessed of self -- The unnamable -- What if we were one and the same after all -- There is no pronoun for me -- I have a pensum to discharge -- I'm all these words -- I am doing my best and failing : new thoughts about art and the artist -- Gogo and Didi, Hamm and Clov -- In a cage out of time and space -- In a single night -- You pollute the air -- Is it not time for my pain-killer? …”
    An electronic book accessible through the World Wide Web; click to view
    Electronic eBook