Published 2013
Table of Contents:
“…Postmodernism, traditional cultural forms, and African American subjectivity -- Multiple representations of Philadelphia and John Edgar Wideman's Philadelphia fire -- The trickster, African American virtual subject and Percival Everett's erasure -- Using jazz music and
aesthetics to re-describe the African American in Toni Morrison's jazz -- Revolting to sustain psychic life: Bonnie Greer's hanging by her teeth and the encounter with the other -- Virtual-actual reality and Clarence Major's reflex and bone structure -- The Jungian/African collective unconscious, jazz
aesthetics, and Xam Cartier's Muse-echo blues -- Conclusion.…”
Call Number:
Loading…
Located:
Loading…
An electronic book accessible through the World Wide Web; click to view
Electronic
eBook