Published 2010
Table of Contents:
“…Film and cultural identity -- Seeing modern China : toward a theory of ethnic spectatorship -- The dream of a butterfly -- Film as ethnography, or, Translation between cultures in the postcolonial world -- A filmic staging of postwar geotemporal politics: on Akira Kurosawa's No regrets for our youth, sixty years later -- From Sentimental fabulations, contemporary Chinese films: attachment in the age of
global visibility -- The political economy of vision in Happy times and Not one less, or, a different type of migration.…”
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