Slow beauty: Refocusing Oliver Hermanus’s Skoonheid through a slow cinema lens

Oliver Hermanus’s Skoonheid is often read as a representation of South African queer realities and political progressiveness both during and since the dissolution of apartheid. Consequently, Hermanus’s contribution to the aesthetic of slowness in Skoonheid has gone largely unnoticed in the broader c...

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Bibliographic Details
Main Author: Wanyonyi, Emmanuel
Format: Article
Language:English
Published: TYDSKRIF VIR LETTERKUNDE 2024
Subjects:
Online Access:https://repository.daystar.ac.ke/handle/123456789/4881.2
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