The New Real : Media and Mimesis in Japan from Stereographs to Emoji /
"A synthetic history of new media reception in modern and contemporary Japan, The New Real positions mimesis at the heart of the media concept. Considering both mimicry and representation as the core functions of mediation and remediation, it offers a new model for media studies while explainin...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Minneapolis, MN :
University of Minnesota Press,
[2023]
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| Rangatū: | Book collections on Project MUSE.
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| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Welcome to the New Real! What Media?
- Which Mimesis? Why Japan?
- Stereomimesis: Stereograph, Panoramic Parallax, and the 3D Printing of Nostalgia
- Schizoasthenic Media: Record, Reappropriation, and Copyright
- Copycat Rivalries: Teleplay, Mask, and Violence
- Interpassive Ecomimesis: Gaming the Real
- Mediated Expressions: Emoji's E-mimesis
- Conclusion. The Real Renewed: Rendering Techno-orientalism.