Writing Anthropologists, Sounding Primitives : The Poetry and Scholarship of Edward Sapir, Margaret Mead, and Ruth Benedict /
"Writing Anthropologists, Sounding Primitives" offers a contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by early twentieth-century U.S.-American cultu...
I tiakina i:
Kaituhi matua: | |
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Hōputu: | Tāhiko īPukapuka |
Reo: | Ingarihi |
I whakaputaina: |
Lincoln :
University of Nebraska Press,
2021.
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Rangatū: | Book collections on Project MUSE.
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Ngā marau: | |
Urunga tuihono: | Full text available: |
Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction : poets, anthropologists, primitives
- Of mumbling melody, soft singing, and slow speech : constructions of sonic otherness in the poetry of Edward Sapir
- On alternating sounds : musical alterities in Sapir's poetry and critical writings
- Interlude : French-Canadian folk songs in translation
- "For you have given me speech!" : gifted literates, illiterate primitives, and Margaret Mead
- Toward unnerving the us : the poetry and scholarship of Ruth Benedict
- Conclusion : cultural and media evolutionism in Boasian anthropology and beyond
- Appendix: The Complete Poetry of Edward Sapir, Margaret Mead, and Ruth Benedict.