Writing Gender in Early Modern Chinese Women's Tanci Fiction /
"Women's tanci, or "plucking rhymes," are chantefable narratives written by upper-class educated women from seventeenth-century to early twentieth-century China. Writing Gender in Early Modern Chinese Women's Tanci Fiction offers a timely study on early modern Chinese women&...
I tiakina i:
Kaituhi matua: | |
---|---|
Hōputu: | Tāhiko īPukapuka |
Reo: | Ingarihi |
I whakaputaina: |
West Lafayette, Indiana :
Purdue University Press,
[2021]
|
Rangatū: | Book collections on Project MUSE.
|
Ngā marau: | |
Urunga tuihono: | Full text available: |
Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Cover
- Writing Gender
- Title
- Copyright
- Dedication
- CONTENTS
- Acknowledgments
- Note on Style and Excerpts
- Introduction Toward a Spatialized Understanding of Women's Literary Tanci
- Chapter One Vernacular Literacy, Cross-Dressing, and Feminine Authority in Zhu Suxian's Yulianhuan (Linked Rings of Jade)
- Chapter Two Among Women: Feminine Homoeroticism in Li Guiyu's Liuhuameng (Dream of the Pomegranate Flowers)
- Chapter Three Gender, Syncretism, and Female Exemplarity: Jin Fangquan's Qizhenzhuan (A Tale of Exceptional Chastity)
- Chapter Four "Beyond Rouge and Powder": Rewriting Female Talent in Sun Deying's Jinyuyuan (Affinity of the Golden Fish)
- Chapter Five A New Romance of the Nation-State: On Wang Oushang's Zixuji (A Tale of Vacuity)
- Conclusion
- Glossary
- Works Cited
- Index
- About the Author