Modernist Bestiary : Translating Animals and the Arts through Guillaume Apollinaire, Raoul Dufy and Graham Sutherland /
I tiakina i:
| Ētahi atu kaituhi: | , |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
London :
UCL Press,
2020.
|
| Rangatū: | Book collections on Project MUSE.
|
| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Headpiece: oblique and prolonged
- 1. Graham Sutherland The Bestiary or Procession of Orpheus: an introduction
- 2. The voice of light: nature and revelation in The Bestiary, or Procession of Orpheus
- 3. Ombre terreuse: shades of meaning in Vergil, Ovid and Apollinaire
- 4.Apollinaire's octosyllabic quatrain, translation and zoopoetics
- 5. Animals on parade: collecting sounds for l'histoire naturelle of modern music
- 6. Beasts of flesh and steel: the post-industrial bestiaries of Apollinaire, Dufy and Sutherland
- 7. How is Orpheus honoured? Procession, association and loss
- Notes Towards a hybrid Bestiary: out of Apollinaire, Sutherland and others
- Tailpiece.