Across Anthropology : Troubling Colonial Legacies, Museums, and the Curatorial /
Detroit, Michigan, has long been recognized as a center of musical innovation and social change. Rebekah Farrugia and Kellie D. Hay draw on seven years of fieldwork to illuminate the important role that women have played in mobilizing a grassroots response to political and social pressures at the he...
محفوظ في:
| مؤلفون آخرون: | , |
|---|---|
| التنسيق: | الكتروني كتاب الكتروني |
| اللغة: | الإنجليزية |
| منشور في: |
Baltimore, Maryland :
Project Muse,
2020
|
| سلاسل: | Book collections on Project MUSE.
|
| الموضوعات: | |
| الوصول للمادة أونلاين: | Full text available: |
| الوسوم: |
إضافة وسم
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
|
| الملخص: | Detroit, Michigan, has long been recognized as a center of musical innovation and social change. Rebekah Farrugia and Kellie D. Hay draw on seven years of fieldwork to illuminate the important role that women have played in mobilizing a grassroots response to political and social pressures at the heart of Detroit's ongoing renewal and development project. Focusing on the Foundation, a women-centered hip hop collective, Women Rapping Revolution argues that the hip hop underground is a crucial site where Black women shape subjectivity and claim self-care as a principle of community organizing. Through interviews and sustained critical engagement with artists and activists, this study also articulates the substantial role of cultural production in social, racial, and economic justice efforts. |
|---|---|
| وصف المادة: | Issued as part of book collections on Project MUSE. |
| وصف مادي: | 1 online resource: illustrations |
| بيبلوغرافيا: | Includes bibliographical references. |
| ردمك: | 9789461663177 |
| وصول: | Open Access |