Unfelt : The Language of Affect in the British Enlightenment /
"Offers a new account of feeling in British Enlightenment literature, showing how writers discreetly evoke a hidden layer of affect that supports and intensifies our strongly felt passions and sentiments"--
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Ithaca, New York :
Cornell University Press,
2020.
|
| Rangatū: | Book collections on Project MUSE.
|
| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction : unfelt affect
- The insensible parts of Locke's essay
- David Hartley's ghost matter
- Vivacity and insensible association : Condillac and Hume
- Sentiment and secret consciousness : Haywood and Smith
- Unfeeling before sensibility
- External and invisible
- Insensible against involuntary in Burney
- Austen as coda
- The force of the thing : unfelt moeurs in French historiography
- The insensible revolution and Scottish historiography
- Gibbon in history
- The embrace of unfeeling
- Mandeville and the other happiness
- Feeling untaxed
- The money flow
- Invisible versus insensible
- Epilogue : insensible emergence of ideology.