From Song to Book : The Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry /
As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-cent...
Wedi'i Gadw mewn:
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| Fformat: | Electronig eLyfr |
| Iaith: | Saesneg |
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Ithaca :
Cornell University Press,
1987.
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| Cyfres: | Book collections on Project MUSE.
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| Pynciau: | |
| Mynediad Ar-lein: | Full text available: |
| Tagiau: |
Ychwanegu Tag
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Tabl Cynhwysion:
- Frontmatter
- Contents
- Acknowledgments / Huot, Sylvia
- Introduction
- Part One: On the Nature of the Book in the Thirteenth and Fourteenth Centuries
- Part Two: Lyricism and the Book in the Thirteenth Century
- Part Three: Lyricism and the Book in the Fourteenth Century
- Conclusion
- Appendix A: The Rubrication of Guillaume de Lorris in MS Bibl. Nat. fr. 378
- Appendix B: Table of Miniatures in Selected Texts by Machaut, MSS Bibl. Nat. fr. 1584 and 1586
- Appendix C : Excerpt from an Unedited Volume of Le Roman de Perceforest, MS Bibl. Nat. fr. 346
- Bibliography of Works Cited
- Index