Prosody and Purpose in the English Renaissance /

I tiakina i:

Ngā taipitopito rārangi puna kōrero
Kaituhi matua:	Hardison, O. B., Jr. (Osborne Bennett), 1928-1990
Hōputu:	Tāhiko īPukapuka
Reo:	Ingarihi
I whakaputaina:	Baltimore : Johns Hopkins University Press, 1989.
Rangatū:	Book collections on Project MUSE.
Ngā marau:	Verse drama, English. Renaissance. Literary form. Epic poetry, English. English poetry > Early modern. English poetry > Classical influences. English language > Early modern > Versification. Classicism. Genres litteraires. Classicisme > Angleterre. Renaissance > Angleterre. Poesie anglaise > Influence ancienne. Poesie epique anglaise > Histoire et critique. Anglais (Langue) > 1500-1700 (Moderne) > Versification. Classicism > England. Renaissance > England. Verse drama, English > History and criticism. Epic poetry, English > History and criticism. English language > Early modern, 1500-1700 > Versification. English poetry > Early modern, 1500-1700 > History and criticism. England. Criticism, interpretation, etc. Electronic books.
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Rārangi ihirangi:

pt. 1. Contexts: ch. 1. Prosody and purpose
ch. 2. Ars metrica
ch. 3. Rude and beggerly ryming: the romance tradition
ch. 4. A question of language: Italy and the shaping of Renaissance prosodic theory
ch. 5. Notes of instruction
pt. 2. Performances: ch. 6. A strange metre worthy to be embraced
ch. 7. Jasper Heywood's fourteeners
ch. 8. Gorboduc and dramatic blank verse
ch. 9. Heroic experiments
ch. 10. Speech and verse in later Elizabethan drama
ch. 11. True musical delight.

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