The Greatest Films Never Seen : The Film Archive and the Copyright Smokescreen /
Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in thei...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Amsterdam [Netherlands] :
EYE Filmmuseum,
[2018]
|
| Rangatū: | Framing film (Amsterdam, Netherlands)
Book collections on Project MUSE. |
| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- The Orphan in a Handbag : an introduction to the film archive and intellectual property
- Terra Incognita. The Nederlands Filmmuseum/EYE Film Institute Netherlands
- A Swiss Bank : recategorization I : the embargoed film
- A Handbag : recategorization II : the orphan film
- A Vehicle of Power : recategorization III : the public domain film (or, what orphan films are not)
- A Birthplace : the begotten film
- The Potential for History-Making : of accidents and activation
- Conclusion : the Brighton line.