The Greatest Films Never Seen : The Film Archive and the Copyright Smokescreen /
Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in thei...
-д хадгалсан:
| Үндсэн зохиолч: | |
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| Формат: | Цахим Цахим ном |
| Хэл сонгох: | англи |
| Хэвлэсэн: |
Amsterdam [Netherlands] :
EYE Filmmuseum,
[2018]
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| Цуврал: | Framing film (Amsterdam, Netherlands)
Book collections on Project MUSE. |
| Нөхцлүүд: | |
| Онлайн хандалт: | Full text available: |
| Шошгууд: |
Шошго нэмэх
Шошго байхгүй, Энэхүү баримтыг шошголох эхний хүн болох!
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| Тойм: | Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in their collections. The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen uses the prism of copyright to reconsider human agency and the politics of the archive, and asks what the practical implications are for educational institutions, the creative industries, and the general public. |
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| Зүйлийн тодорхойлолт: | Issued as part of book collections on Project MUSE. |
| Биет тодорхойлолт: | 1 online resource (173 pages): illustrations. |
| Номзүй: | Includes bibliographical references, filmography, and index. |
| ISBN: | 9789048531042 |
| Хандалт: | Open Access |