Productive Fandom : Intermediality and Affective Reception in Fan Cultures /
To dismantle negative stereotypes of fans, this book offers a media ethnography of the digital culture, conventions, and urban spaces associated with fandoms, arguing that fandom is an area of productive, creative, and subversive value. By examining the fandoms of Sherlock, Glee, Firefly, and other...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Baltimore, Maryland :
Project Muse,
2020
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| Rangatū: | Transmedia (Amsterdam, Netherlands) ;
4. Book collections on Project MUSE. |
| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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| Whakarāpopototanga: | To dismantle negative stereotypes of fans, this book offers a media ethnography of the digital culture, conventions, and urban spaces associated with fandoms, arguing that fandom is an area of productive, creative, and subversive value. By examining the fandoms of Sherlock, Glee, Firefly, and other popular television-based franchises, the author appeals to fans and scholars alike in her empirically grounded methodology and insightful analysis of production hierarchies, gender, sexuality, play, and affect. |
|---|---|
| Whakaahutanga tūemi: | Issued as part of book collections on Project MUSE. |
| Whakaahuatanga ōkiko: | 1 online resource (235 pages): illustrations. |
| Rārangi puna kōrero: | Includes bibliographical references and index. |
| ISBN: | 9789048528318 |
| Urunga: | Open Access |