Vision's Immanence : Faulkner, Film, and the Popular Imagination /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Baltimore :
Johns Hopkins University Press,
2004.
|
| Rangatū: | Book collections on Project MUSE.
|
| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Adorno's modernism and the historicity of popular culture
- "Some quality of delicate paradox": sanctuary's generative conflict of high and low
- "Get me a nigger": mystery, surveillance, and Joe Christmas's spectral identity
- "Some trashy myth of reality's escape": romance, history, and film viewing in Absalom, Absalom!
- Screening readerly pleasures: modernism, melodrama, and mass markets in If I forget thee, Jerusalem
- Modernism, jail cells, and the senses.