Vision's Immanence : Faulkner, Film, and the Popular Imagination /
"To what extent was William Faulkner's deeply ambivalent relationship to - and involvement with - American popular culture reflected in his modernist or "art" fiction? Peter Lurie finds convincing evidence that Faulkner was keenly aware of commercial culture and adapted its formu...
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| Format: | Electronic eBook |
| Language: | English |
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Baltimore :
Johns Hopkins University Press,
2004.
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| Series: | Book collections on Project MUSE.
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| Subjects: | |
| Online Access: | Full text available: |
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Table of Contents:
- Adorno's modernism and the historicity of popular culture
- "Some quality of delicate paradox": sanctuary's generative conflict of high and low
- "Get me a nigger": mystery, surveillance, and Joe Christmas's spectral identity
- "Some trashy myth of reality's escape": romance, history, and film viewing in Absalom, Absalom!
- Screening readerly pleasures: modernism, melodrama, and mass markets in If I forget thee, Jerusalem
- Modernism, jail cells, and the senses.