Autobiographical Voices : Race, Gender, Self-Portraiture /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Ithaca :
Cornell University Press,
1989.
|
| Rangatū: | Book collections on Project MUSE.
|
| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: The politics and aesthetics of Metissage
- Augustine's Confessions : poetics of harmony, or the ideal reader in the text
- Silence and circularity in Ecce homo : "Und so erzähle ich mir mein Leben"
- Autoethnography : the an-archic style of Dust tracks on a road
- Con artists and storytellers : Maya Angelou's problematic sense of audience
- Happiness deferred : Maryse Conde's Heremakhonon and the failure of enunciation
- Privileged difference and the possibility of emancipation : The words to say it and A l'autre bout de moi
- Anamnesis and Utopia : self-portrait of the web maker in A l'autre bout de moi.