Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas /
Bewaard in:
Hoofdauteur: | |
---|---|
Formaat: | Elektronisch E-boek |
Taal: | Engels |
Gepubliceerd in: |
Denton, Tex. :
University of North Texas Press,
2008.
|
Reeks: | Book collections on Project MUSE.
|
Onderwerpen: | |
Online toegang: | Full text available: |
Tags: |
Voeg label toe
Geen labels, Wees de eerste die dit record labelt!
|
Inhoudsopgave:
- Tonality as drama: an introduction
- Dramatic closure: the Stanislavsky system and the attainment of character objectives
- Tonal closure: a Schenkerian approach to tonal drama
- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911)
- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935)
- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947)
- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).