Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas /
Spremljeno u:
Glavni autor: | |
---|---|
Format: | Elektronički e-knjiga |
Jezik: | engleski |
Izdano: |
Denton, Tex. :
University of North Texas Press,
2008.
|
Serija: | Book collections on Project MUSE.
|
Teme: | |
Online pristup: | Full text available: |
Oznake: |
Dodaj oznaku
Bez oznaka, Budi prvi tko označuje ovaj zapis!
|
Sadržaj:
- Tonality as drama: an introduction
- Dramatic closure: the Stanislavsky system and the attainment of character objectives
- Tonal closure: a Schenkerian approach to tonal drama
- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911)
- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935)
- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947)
- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).