Experiencing Fiction : Judgments, Progressions, and the Rhetorical Theory of Narrative /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Columbus :
Ohio State University Press,
2007.
|
| Rangatū: | Book collections on Project MUSE.
|
| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Judgments, progressions, and the rhetorical experience of narrative
- Jane Austen's experiment in narrative comedy : the beginning and early middle of Persuasion
- Sethe's choice and Toni Morrison's strategies : the beginning and middle of Beloved
- Chicago criticism, new criticism, cultural thematics, and rhetorical poetics
- Progressing toward surprise : Edith Wharton's "Roman fever"
- Delayed disclosure and the problem of other minds : Ian McEwan's Atonement
- Rhetorical aesthetics within rhetorical poetics
- Interlacings of narrative and lyric : Ernest Hemingway's "A clean, well-lighted place" and Sandra Cisneros's "Woman Hollering Creek"
- Narrative in the service of portraiture : Alice Munro's "Prue" and Ann Beattie's "Janus"
- Dramatic dialogue as lyric narrative : Robert Frost's "Home burial"
- Experiencing fiction and its corpus : extensions to nonfiction narrative and synthetic fiction.