Experiencing Fiction : Judgments, Progressions, and the Rhetorical Theory of Narrative /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Columbus :
Ohio State University Press,
2007.
|
| Sraith: | Book collections on Project MUSE.
|
| Ábhair: | |
| Rochtain ar líne: | Full text available: |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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Clár na nÁbhar:
- Judgments, progressions, and the rhetorical experience of narrative
- Jane Austen's experiment in narrative comedy : the beginning and early middle of Persuasion
- Sethe's choice and Toni Morrison's strategies : the beginning and middle of Beloved
- Chicago criticism, new criticism, cultural thematics, and rhetorical poetics
- Progressing toward surprise : Edith Wharton's "Roman fever"
- Delayed disclosure and the problem of other minds : Ian McEwan's Atonement
- Rhetorical aesthetics within rhetorical poetics
- Interlacings of narrative and lyric : Ernest Hemingway's "A clean, well-lighted place" and Sandra Cisneros's "Woman Hollering Creek"
- Narrative in the service of portraiture : Alice Munro's "Prue" and Ann Beattie's "Janus"
- Dramatic dialogue as lyric narrative : Robert Frost's "Home burial"
- Experiencing fiction and its corpus : extensions to nonfiction narrative and synthetic fiction.