Wilkie Collins and Copyright : Artistic Ownership in the Age of the Borderless Word /
In the works and letters of his later years, Wilkie Collins continually expressed his displeasure over copyright violations. Wilkie Collins and Copyright: Artistic Ownership in the Age of the Borderless Word by Sundeep Bisla asks whether that discontent might not also have affected the composition o...
I tiakina i:
Kaituhi matua: | |
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Hōputu: | Tāhiko īPukapuka |
Reo: | Ingarihi |
I whakaputaina: |
Columbus :
Ohio State University Press,
2013.
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Rangatū: | Book collections on Project MUSE.
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Ngā marau: | |
Urunga tuihono: | Full text available: |
Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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Rārangi ihirangi:
- Introduction : Wilkie Collins, theorist of iterability
- The manuscript as writer's estate in Basil
- The woman in white : the perils of attempting to discipline the transatlantic, transhistorical narrative
- Over-doing things with words in 1862 : pretense and plain truth in No name
- Ingesting the other in Armadale
- The return of the author : privacy, publication, the mystery novel, and The moonstone
- Conclusion : real absences : Collins's waiting shadows.