Imagining Minds : The Neuro-Aesthetics of Austen, Eliot, and Hardy /
I tiakina i:
Kaituhi matua: | |
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Hōputu: | Tāhiko īPukapuka |
Reo: | Ingarihi |
I whakaputaina: |
Columbus :
Ohio State University Press,
2010.
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Rangatū: | Book collections on Project MUSE.
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Ngā marau: | |
Urunga tuihono: | Full text available: |
Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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Rārangi ihirangi:
- Introduction : the integrated mind
- Jane Austen and self-consciousness
- "A mind lively and at ease" : imagination and Emma
- "You pierce my soul" : feeling embodied and persuasion
- George Eliot and other-consciousness
- "A voice like music" : the problem of other minds and Middlemarch
- "Beloved ideas made flesh" : the embodied mind and Daniel Deronda
- Thomas Hardy and nonintrospective consciousness
- "Now I am melancholy mad" : mood and Jude the obscure
- "That blue narcotic haze" : dreams, dissociation, and Tess of the d'Urbervilles
- Coda : the neurology of narrative.