Bulldaggers, Pansies, and Chocolate Babies : Performance, Race, and Sexuality in the Harlem Renaissance /
The gay and lesbian presence in black entertainment in Harlem nightclubs, speakeasies, rent parties, and Broadway stages.
Saved in:
主要作者: | |
---|---|
格式: | 电子 电子书 |
语言: | 英语 |
出版: |
Ann Arbor :
The University of Michigan Press,
[2010]
|
丛编: | Book collections on Project MUSE.
|
主题: | |
在线阅读: | Full text available: |
标签: |
添加标签
没有标签, 成为第一个标记此记录!
|
书本目录:
- Introduction: "It's getting dark on old Broadway"
- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s)
- "Harlem on my mind": New York's black belt on the Great White Way
- "That's the kind of gal I am": drag balls, "sexual perversion," and David Belasco's Lulu Belle
- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters
- "In my well of loneliness": Gladys Bentley's Bulldykin' blues
- Conclusion: "you've seen Harlem at its best".