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Bulldaggers, Pansies, and Chocolate Babies : Performance, Race, and Sexuality in the Harlem Renaissance /

The gay and lesbian presence in black entertainment in Harlem nightclubs, speakeasies, rent parties, and Broadway stages.

Gardado en:
Detalles Bibliográficos
Autor Principal: Wilson, James F. (Author)
Formato: Electrónico eBook
Idioma:inglés
Publicado: Ann Arbor : The University of Michigan Press, [2010]
Series:Book collections on Project MUSE.
Subjects:
Drama > amerikanisches > Afroamerikanische Autoren > Geschichte 20. Jh.
Theater > afroamerikanisches > Geschichte 20. Jh.
Harlem Renaissance.
Theater.
Sex in the theater.
Race in literature.
Intellectual life.
American drama > African American authors.
American drama.
African Americans > Intellectual life.
African Americans in the performing arts.
African Americans in literature.
DRAMA > American.
SOCIAL SCIENCE > Gay Studies.
Sexualite au theâtre.
Race dans la litterature.
Noirs americains dans la litterature.
Noirs americains > New York (État) > New York > Vie intellectuelle.
Noirs americains dans les arts du spectacle > New York (État) > New York > Histoire > 20e siecle.
Theâtre americain > 20e siecle > Histoire et critique.
Theâtre americain > Auteurs noirs americains > Histoire et critique.
Harlem (New York, N.Y.) > Intellectual life > 20th century.
African Americans > New York (State) > New York > Intellectual life.
Theater > New York (State) > New York > History > 20th century.
African Americans in the performing arts > New York (State) > New York > History > 20th century.
American drama > 20th century > History and criticism.
American drama > African American authors > History and criticism.
New York (State) > New York > Harlem.
New York (State) > New York.
History.
Criticism, interpretation, etc.
Electronic books.
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Table of Contents:
  • Introduction: "It's getting dark on old Broadway"
  • "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s)
  • "Harlem on my mind": New York's black belt on the Great White Way
  • "That's the kind of gal I am": drag balls, "sexual perversion," and David Belasco's Lulu Belle
  • "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters
  • "In my well of loneliness": Gladys Bentley's Bulldykin' blues
  • Conclusion: "you've seen Harlem at its best".

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